Well, well, well. First the big man Jay Z was upset with Rihanna because she hugged him and he claimed he didn't want Beyonce to be offended by it...poppyshow.

Well now the latest news we are hearing is that he is not pleased with the way Rihanna has been parading her relationship with Chris Brown and the amount of publicity it is receiving.

The excuse YardFlex understands that Jay Z is using, is that they have two different fan bases and bottom line, she could be hurting her marketability.

Can you believe it, he had the gall to meet with her and discuss her
relationship with Chris.

Yeah right, hmm, we have to wonder if it is more than meets the eye!

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By: Buffilous

Bwoy it come een like di likkle time mi spend outa di country a whole heap a tings change dat mi nuh know. Sex get more interesting and ...well mi have a likkle catty whey mi a par wid and she a open mi yeye to whole heap a tings.

Now meck mi tell yuh dat fi mi friend hortical and she do har tings, she nuh care whey nobady waan sey and she nuh watch nuh face when it come to fi har programme.

Now, mi sey all a dat fi sey dat she deal wid a real big man inna di business and dollaz a roll, him have it like dat. And she know how fi hol’ fi har man tuh, cause she know how put di freak on in bed wid him. Some time she all a bring in one a har hot gal friend dem fi spice tings up inna di bedroom.

Now di hottaclaps a dat is di man hook, him nuh stop sleep wid har and mi hear sey certain other female a get jealous and start build up whole heap a vibes bout mi friend.

Dem start pree har nuff an' all a chat sey from she bring in odda woman pon dem bedroom action she nuh far from lesbianism. Now, mi nuh business wid nobady but mi haffi admit why dem suh concern about whey she a do.

Well when mi check mi friend and ask har, she sey if dem suh concern, dem fi come check har and meck she teach dem a ting or two about how fi hol’ a man and fix him up proper!

She sey she have a freak guide book and she can pass on some knowledge free a cost! Backside yuh know sey all a dis a meck mi wonda now wha really a gwaan inna dis ya island.

A mi friend, so mi nah judge har, but after fi har experience mi start to check out and talk to more people and yuh waan fi know di shocker? Yeah man a nuff nuff people a engage inna threesome and all foursome tuh!

A suh sex get boring dat one couple caan enjoy it again. But if yuh ask mi a tink is di man dem come up wid it as a way fi deal wid odda women and not get cussed fi it. And as fi di woman dem a tink dem do it cause dem waan fi control who dem man sleep wid. Cause it betta dem dey dey dan him dweet behind dem back.

Yes mi chile, threesome and foursome a way a life now inna Jamaica and it nuh look like sey it a guh put pon di back burner anytime soon. Well a it dat fi mi till next time...if a your ting dem deh, den get yuh freak on...but if yub stay like mi...enjoy yuh man...alone!

By: Janice Dayle

Ushering in the 90s with the first eclectic Caribbean music radio programme to be aired on commercial radio in New York, the indomitable Dahved Levy marked the beginning of what literally became 'Caribbean Fever,' with radio audiences and his colleagues alike.

Filling YardFlex in on the day he was invited to mainstream radio at WBLS 98.7 KISS FM, the trailblazing Barbadian born Levy said that besides his strong command of reggae, soca and the general music scene, "It was the catch phrase 'Rocking You' that really got me recognition."

One night, as the seasoned young concert promoter and college radio
personality hung out with Programme Directors (PD) backstage at a KISS FM sponsored Bobby Brown and Shiela Easton concert, opportunity knocked; and Levy was in the right place at the right time. "Red Alert was late," he explained, "and the PD at KISS at the time said to me – 'You know what, you always talk a lot of crap; go up there on stage and bring up Bobby Brown.' – and I did." Neither Levy nor the PD had any idea what was about to transpire.

"I said – Madison Square Gardens, this is Dahved Levy – and the entire crowd shouted in unison; ROCKING YOU, ROCKING YOU. This was my trademark phrase used in my many radio commercials and at that moment I realized how well known I had become," Levy expounded. And he was not the only one amazed at the instant recognition from the audience that evening, the PD was also blown away to the point where he wasted no time to offer Levy his first mainstream radio spot saying, "Dam...you start your own radio show on Monday morning."

Levy has been blazing a trail ever since on commercial radio, taking his penchant for bringing the cultures of the Caribbean and all music to the world - on a fast ride to the top. In a short four weeks his brand new KISS FM show went number one for its time slot, prompting other mainstream radio programmers to take notice and begin including Caribbean programming in their content. In short, Levy's impact on the airwaves influenced the huge acceptance Caribbean culture now enjoys in media.

Consistent in bringing the heavyweights in Hip-Hop, R & B, Reggae, Soca and Dancehall together on stage and in broadcasts for New York audiences; the quick witted and lyrically fit Levy has been unmatchable in both areas.

He became the first radio announcer/DJ to host three separate shows on different radio stations simultaneously in the New Your market; since 1993 saw him pile on commitments at 105.9 FM WNWK and 107.5 WBLS FM & 1190 WLIB AM.

On other historical notes, Levy became the first person to not only start the ball rolling for that triggered Shabba Ranks' huge success; he also was the first promoter to bring Beres Hammond and Buju Banton to Madison Square Gardens and Radio City Music Hall and partnered in producing the only annual All Star Mothers Day Festival that featured Reggae, Soca, Calypso and R&B, at both venues.

"I got into promoting early and as a student at City College, did parties at Red Zone, alternating two days with Bad Boy's Puffy," Levy told YardFlex in his charismatic, striking tone. A successful fundraiser for the newly expanded City College radio station further opened Levy’s eyes to not only his own immense capabilities, but also to the lucrative possibilities of the music business; and his party planning got more serious and intense.

Levy had come a long way from his childhood days in the Caribbean and England, where he also spent some formative years. He reflected on those youthful days when he would make a habit of mimicking radio announcers and pretend to be a pilot addressing his passengers from the cockpit. Convinced that he would one day be on radio, Levy said, "I even entered and won a Franky Crocker sound alike contest when I first came to live in the US."

Known as the radio personality 'without borders,' Levy makes every effort to not only satisfy his diverse audience but to also completely understand his programme content by immersing himself in the cultures he presents through travels and research. Presenting with no hype, no profiling, but just plain humility and eloquence Levy continues to deliver first rate cultural information because he says, "I am a citizen of the Caribbean and I love all of what the Caribbean has to offer."

Continuing with his multi-tasking busyness, Levy is currently engaged in preparations for the highly anticipated Madison Square Gardens, Machel Montana headlining show; coming up on March 28, 2008. He will also be presenting Buju Banton on Mothers Day this year. Check out his global activities at www.caribbeanfever.com

By Richie B - host of "HOT MIX" on HOT 102 FM
TOP 20 DANCEHALL SINGLES

TW LW WC TITLE/ARTISTE/LABEL

01 1 11 Pon Di Edge-Busy Signal-Star Kutt (3wks@#1) NM
02 3 10 Doh-Serani feat Bugle-Daseca U-1
03 4 11 Don't Run In -Harry Toddler-Truck Back U-1
04 5 12 Shoot Out-Mykal Rose-John John U-1
05 2 11 Click My Finger-Erup-Truck Back(3wks@#1) D-3
06 6 8 Nuff Love/Buddy Buddy-Charly Black-M/Bass Production NM
07 7 11 Duppy Know Who Fi Frighten-Demarco-John John NM
08 8 6 Bembe-Voicemail-Big Ship NM
09 9 20 Pick It Up & Drop It-Sean Paul-Birchill Records(2wks@#1) NM
10 11 4 Journey - Bugle - Daseca U-1
11 10 25 Nah Go A Jail-Busy Signal-Jam 2(4wks@#1) D-1
12 12 23 Tell Dem Don't Follow-Buju Banton-Heart of Love(pp#3)NM
13 14 17 Empire Army- Vybz Kartel-Big Ship(pp#6) U-1
14 13 15 Dandy Shandy - Macka Diamond-Birch Hill (pp#5) D-1
15 15 20 Everybody Dance-RDX -Apt 19 (2wks@#1) NM
16 18 2 Unknown Number-Busy Signal-Juke Boxx U-2
17 20 2 Touch Di Road-Mavado-Foota Hype U-3
18 - New Bad From Long Time-Anthony B-357 Records
19 16 12 Dreaming of You-Beenie Man & Alaine-Sleepy Splu(pp#10) D-3
20 17 24 Dem A Sissy-Assassin-Don Corleon(pp#3) D-3

TOP 20 REGGAE SINGLES

TW LW WC TITLE/ARTISTE/LABEL

01 1 21 Mi Nah Rub-Queen Ifrica-Downsound Records(3wks@#1) NM
02 2 21 St. Jago De La Vega-Lutan Fyah-Mac D's(2wks@#1) NM
03 5 26 Praise God- Little Hero-Inspire U-2
04 4 14 Old Rugged Cross-George Nooks-Tad's International NM
05 3 13 Sometimes-Courtney "Yogi" John-Fi Wi Music(pp#3) D-2
06 8 12 Warrior Love –Etana-Freemind U-2
07 6 18 Daddy Don't Touch Me There-Queen Ifrica- No Doubt Records (2wks@#1) D-1
08 9 9 Yesterday-Daville-Fashowzy(pp#14) U-1
09 10 7 Just Like The Rain-Courtney Melody-Smith Mansion/Reggae Vibes U-1
10 13 4 Baby Tonight-Courtney "Yogi" John-Taxi U-3
11 7 13 From August Town-Duane Stephenson-Cannon/VP Records (pp#7) D-4
12 11 19 Bonafide Girl-Shaggy feat Ric Rok and Tony Gold- Big Yard(2wks@#1) D-1
13 14 6 Lion Paw-Tarrus Riley- Cannon U-1
14 12 9 Book Of Life-I-Wayne-Loyal Soldiers/VP Records (pp#12) D-2
15 15 9 Stronger-Fantan Mojah- Maximum Sound (pp#12) NM
16 - New Mercy Please-Black Judah feat. Warrior King-Teflon Blood
17 18 2 I'm Bless-Prestige-Timeless Records U-1
18 17 18 Fling It Up Pon Mi-Da'ville- Big Yard(pp#6) D-1
19 - New Love Fire-Tony Rebel-Taxi
20 - New Love You Pure-Sophia Brown-321 Strong

TOP TEN ALBUMS/CD CHART

TW LW WC TITLE/ARTISTE/LABEL

01 1 14 Intoxication-Shaggy- VP Records/Big Yard (8wks@#1) NM
02 2 15 Unselfish -Courtney (Yogie) John-Fi Wi Music NM
03 3 11 Book of Life-I-Wayne-VP Records NM
04 4 8 Love & Affection-Pressure-Don Corleon NM
05 5 19 From August Town-Duane Stephenson-VP Records (2wks@#1) NM
06 7 6 Sacrifice-Alaine-Don Corleon U-1
07 6 12 Purge Riddim Meets Zee Drop Riddim-Various Artistes- In Your Face Music/Tad's International D-1
08 10 2 Jah Is My Navigator-Luciano–VP Records U-2
09 8 22 Sean Kingston-Sean Kingston-Beluga Heights/Epic (4wks@#1) D-1
10 - New Revelation -Little Hero-Inspire/Diamond Edge

_____________________NOTES_____________________________________
Numbers in bracket indicate the number of weeks at the No. 1 Spot.
Key: U - Upward, D - Down, NM - Non-Mover
TW - This Week, LW - Last Week, WC Weeks on Chart, PP in bracket -
Peak Position
Sources: Sound Systems, Record Shops, Night Clubs & Radio Play

Bwoy from what YardFlex a hear di reason why Real Idiot dead a cause him just make a stupid move. Wi get it from good good source sey dem check a man fi collect money fi one a dem big artiste fi do a show fi him.

Apparently di man neva have all di cash which wi understand was $150,000 so di promoter gi dem a gun and 2 lbs a weed fi meck it up.

Wi understan dat on dem way back inna di city dat's about 1:30 am they were stopped by the cops who were on patrol.

Den combine di fact sey dem have gun inna di car and two pound a weed and den if yuh come up wid di conclusion dat tings get sticky from there, yuh right. So him neva did a tief nutten, him just unfortunate.

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Photography By: Milton Raynor

Please vote for either Contestant A or B for the hottest Girl of the Week.

Choose the image you like best and vote by placing the letter A or B in your comments.

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Oh boy, Mavado just can't seem to get a break in Trinidad and Tobago. In an article published in the Trinidad Express his kind of lyrics was again blamed for a stabbing incident leading to the death of a secondary school student.

See below the article in question.

In the wake of yesterday's stabbing to death of a secondary school student, at least one popular urban radio station has moved to clamp down on violent dancehall lyrics.

Well-known DJ, Kwesi "Hyper Hoppa" Hopkinson, special advisor/consultant at Red 96.7, described the stabbing incident as "the last straw" and he identified the music of dancehall star Mavado as one of the chief offenders in this regard.

"There is no doubt that the music is influencing the youths towards violence. Particularly an artiste like Mavado who says he's a gangsta for life and has the youths emulating that lifestyle," Hopkinson said.

Asked why these chose Mavado in particular, Hopkinson said he has been in the business for over 12 years and understands what music does to people. He said he had nothing personally against Mavado and his music.

"But we need to understand what Mavado is doing to the youths when he says he's a gangsta for life. We have to take a stand against the music that's inflaming these young minds, because they are not strong enough to withstand these messages," he said.

Hopkinson said his Afternoon Drive programme, which airs from 3 to 6 p.m. daily, would be focusing on music with more positive messages. He also spoke about the music of 50 Cent and newcomers Busy Signal and Demarco as having negative influences.

Hopkinson said he hoped DJs at other stations would see the harm that is being done and take a similar stance.

"We certainly are taking a stand at this station," he said.

Boy George has pleaded not guilty to falsely imprisoning a male escort by chaining him to a wall, this according to a news report on bbc.co.uk.

The singer and DJ, whose real name is George O'Dowd, is also accused of assaulting Audun Carlsen during the alleged incident on 28 April last year.

Prosecutors claim the 46-year-old former Culture Club frontman chained Mr. Carlsen up at his home in Ravey Street, Hackney, east London.

He was released on bail until a trial at Snaresbrook Crown Court in November.

Oh boy , we wonder how this one will eventually play out in court.

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By: Janice Dayle

Pat Mckay's distinctive 'radio voice' is one that she raises at Sirius Satellite Radio; not only as the 6:00 AM to 1:00 PM programmer for Channel 97's Reggae Rhythms, but also as Programme Director for both 'Reggae Rhythms' and Channel 68 - 'Praise.'

"I am hitched to the Blackberry 24/7 and 365 days," Pat told YardFlex as we snuck a chat in between her manning a myriad of operations. With a staff that is also round the clock, accessibility is key, she said.

Well versed in the history of Reggae as it developed internationally, Pat herself has achieved many radio firsts as a person of Caribbean descent in the US. Her fondness for music developed into her realizing childhood fantasies of being a team player in radio-land. As the first person of Caribbean descent to have programmed a 24/7 nationally broadcast music format in the US, first for Music Choice (both their World Beat and Reggae stations) and currently for Sirius Satellite Radio - Pat told YardFlex, that becoming a DJ was her childhood games turned into reality.

"Before car seats and because I was the baby, I got to sit in the middle facing the radio; and especially on long car trips to Toronto or Florida, from New York; I would be the family DJ." Developing imaginary friendships with radio personalities was a natural progression for Pat who had become the self appointed family selector.

Starving for sounds of Jamaica as a teen returning to New York after living in Kingston and attending Alpha Academy; the 'sports and music buff' gravitated to a Ken Williams owned club, where her first taste of being Master of Ceremonies, had her hooked on the microphone. Taking over for Ken, who lost his voice one evening, to introduce the band 'Chalice,' was the beginning of something that has propelled Pat to a historic position in 'US Reggae Radio.'

Becoming a Reggae Ambassador through college radio programming in 1983 and as a frequently called upon MC for major Reggae concerts featuring great acts like: Black Uhuru, Michigan and Smiley, Denroy Morgan and Sister Carol, was a natural progression. And Pat's expertise in the field of Reggae was soon in high demand, leading to stints as consultant and narrator on films, televised features and print articles; in addition to numerous international stage appearances and productions featuring her as the subject.

"It's a service thing...I work for Reggae lovers wherever they are," the mother of two teenaged sons said, of her steadfast dedication that has seen her pumping Reggae music on commercial radio in the US since 1986. Keen on realizing an improved visibility for Caribbean culture, Pat aims at continually beefing up her progressive contribution to the representation and inclusion of the rich Caribbean culture in all media.

Her undiluted Reggae vibes have been alive on air in New York ever since she initiated the first ever all Reggae show on general market radio called, 'The WBLS Reggae House Party.' She was a part of the WBLS and sister-station WLIB/1190AM/NY, family until 2004 and has lent her voice-power to KISS FM, WRTN, WNYE, IRIE FM, WBLS, WQXR, WRKS and WLIB.

"Life has its ups and downs 97 reggae rhythms is one of the ups," is how one Reggae Rhythms Station ID reads. Checking out the non-stop Reggae programming generated at Sirius with Pat at the lead is guaranteed to give you 365 days of commercial free Reggae in all genres and from every era. It is really an uplifting experience.

Hype TV Top 20 Singles Chart

TW LW WOC Artiste Name - Song Title - Record Label

01 01 10 Erup-Click My Finger-Truck Back-2wks@#1
02 02 15 Queen I-Frica- Don't Touch Me There-No Doubt Records-3wks#1
03 03 07 Serani feat.Bugle-DOH-Daseca-Shot to Watch
04 06 07 Bugle-Journey-Daseca
05 04 13 Sean Paul – Pick It Up & Drop It –Birchill-Peak@#3
06 05 16 Demarco-Fallen Soldiers- Star Kutt-4wks@#1
07 08 08 Spice –Up Inna De Light- Truck Back
08 07 16 Shaggy feat Rik Rok- Bonafide Girl-Big Yard-Peak@#2
09 10 05 Courtney Melody-Just Like The Rain-Smith Mansion/Reggae Vibes
10 12 03 Harry Toddler-Don't Run In-Truck Back

11 14 02 Beenie Man- Wine Gal-TJ Records- Greatest Gainer up 3
12 11 06 Deva Bratt-Gussy Clarke-Truck Back
13 09 17 Brick & Lace- Love Is Wicked-180 Entertainment-Peak@#6
14 16 02 Busy Signal-Pon Di Edge-Star Kutt
15 13 14 Garrison Hawk –Gangsta Roll- Warner Bros
16 17 06 Prestige-I'm Bless-Timeless Records
17 15 24 Assassin-Dem A Sissy-Don Corleon- Peak@#4
18 NE 01 I-Octane-Poverty-No Doubt Records- New Entry
19 18 23 Movado-Squeeze Har -H2o- Peak@#5
20 20 23 Busy Signal- Nah Go A Jail-Jam2-3wks@#1

VP Records sends its sincerest condolences for one of the greatest losses in reggae history. The legendary producer Joe Gibbs (born Joel A. Gibson) has passed away at the age of 65.

This influential man behind and in front of the boards was a major pioneering force from the late '60s, early '70s rock steady/roots era to the early '80s dancehall era, known for his seminal releases such as, "Two Sevens Clash" by Culture, "Someone Loves You Honey" by J.C. Lodge, as well as his influential four chapter African Dub Series.

VP Records President Chris Chin expresses, "We want to take this time to remember a truly pivotal producer in the reggae business. Our prayers go out to his loved ones. His spirit and music will live on."

Joe Gibbs, and the late Errol Thompson, have an exclusive worldwide agreement with VP Records vintage imprint, 17 North Parade, to re-release his complete catalog, including the Barrington Levy Collection (Apr. 26th), Joe Gibbs Reggae Anthology (May 2008) and many more.

17 North Parade (VP Records) A&R Fidel Luna states, "The legendary Joe Gibbs to me is one of the most humble, straightforward and pleasant people I have ever encountered in the music business. His contributions to Reggae as a hit-making producer and distributor are truly second to none."

Sirius Satellite's Reggae Rhythms channel will air his last interview on Sunday, March 2nd when they debut their new weekly series 'Sunday Classics'.

Rest in peace Joe Gibbs.

Photography By: Milton Raynor

YardFlex was on location at Vegas' video shoot for his new video "Hot gyal no fight ova man".

By: Joseph Cunningham

The first-ever Reggae Film Festival was launched with the showing of three films at Emancipation Park.

Appropriately, the Film Festival opened with the screening of a
documentary about one of Jamaica's legendary musicians, entitled "The
Legacy of Rico Rodriques," by director Jep Jorba from Spain. Among the other flicks was the German feature film on Jamaica, "Almost Heaven," directed by Ed Herzog and featuring a number of Jamaican actors, including Carl Bradshaw, who was in attendance and Oliver Samuels. The final one was the Wayne Jobson-produced Stepping Razor documentary on reggae icon Peter Tosh.

In response to the question of why he chose to feature Peter Tosh, Jobson said, "I was lucky enough to meet Peter, Bob and Bunny – the Wailers - back in the 1970s. And of the three of them, it was Peter who most impressed me with his brilliant intellect and his brilliant mind and also sense of humour.

"And in the early 1990s when I realised that the whole world was only focusing on Bob Marley and everybody had forgotten about Peter, I decided to put together this film so the world could understand the mind of this great poet."

Carl Bradshaw also expressed pleasure in the standard of the films that were featured and noted that it "will grow from strength to strength."

"This film festival is of a difference. This is not the first film festival to be held in Jamaica, but one of this nature, a reggae film festival with the kind of films being shown, really presents a different perspective to the culture."

By: Michelle Thomas
Photography By: Marie Mendoza

Celebrations and festivals around the world commemorated the life and music of Reggae legend Robert Nesta Marley following his recent birthday February 6th. The irie vibes continued when the 27th Annual Ragga Muffins Festival got underway at the Long Beach Arena on February 16 and 17, following through to February 18 with the 27th Annual Tribute To The Reggae Legends at the San Diego Sports Arena. Both celebrations are known for paying tribute to Bob Marley as well as his music; and aim, "to carry the torch of peace and love throughout the world," Barbara Barabino, promoter of the Ragga Muffins Festival said. With similar missions, each festival brings out the most prolific voices in Reggae music along with the hottest up and coming acts all around the world.

Positive vibes and Unity were the common thread among the festivals that featured heavy hitters like Gregory Isaacs, Beenie Man, Capleton, Sly & Robbie and many more.

Bringing plenty of charisma & energy to the stage, the roots reggae band Soul Majestic, from the Santa Cruz and bay area had the crowd swaying back & forth. Rootz Underground had conscious lyrics and a magnetic stage presence. Their performance rocked and they electrified the crowd with their dance moves. Puerto Rican reggae band, Cultura Profetica had a unique sound that had fans moving.

Anthony B gave an energizing performance that had Beenie Man dancing along the side lines. The crowd got fired up when he took the stage and serenaded the ladies as the entire arena joined in.

The Dub Champions, Sly & Robbie – so named by MC's Amlak Tafari & Richie B, hypnotized & captivated the audience with their phenomenal sounds as they backed actress/singer/songwriter, Cherine Anderson and Queen Ifrica. Known as one of Jamaica's number one female artists, Cherine commanded attention as she opened with her rendition of Bob Marley's "Redemption Song". She blew the crowd away with her soulful sounds & amazing voice. Her performance blended a mixture of Reggae, Dancehall, Soul & R&B. Queen Ifrica's powerful voice delivered a stellar performance that shook the fans and got the crowd jumping and singing along. She performed crowd favorites like "What Is Life," "Miss You Randy Baby," & "Daddy" before delivering a heartfelt thank you to her fans for supporting and keeping the love and spirit of reggae music alive.

The King of Fire, Capleton, opened with an explosive performance of "That Day Will Come" afterwards imparting, "Fire is the purification for humanity" as the Long Beach and San Diego crowds continued to rock his every move. Beenie Man, recognized "King of Dancehall", became the King of the bedroom as he broke it down for the crowd and discussed the Art of Sex, and likewise professed his affinity for his musical genre proclaiming, "It's Reggae Month not Black History month because we're still here."

Ed Robinson sang a special tune dedicated to the ladies. He touched the crowd with his melodic tunes and did a rendition to "Nothing Won't Change My Love". Fans screamed as Gentleman took the stage. He transcended his energy throughout the arena as he performed "Bounce With Me." While interacting with the audience and posing for photos, he commented that there is a lack of love in today's society & performed a compilation called "Lack of Love" featuring Sizzla Kalonji.

Midnite mesmerized the crowd with their smooth sounds in Long Beach. Positive vibes permeated from the powerful performance that had San Diego all lit up. His encore had fans still wanting more. Tarrus Riley had a lively spirit that the crowd enjoyed. He performed hits like "Back Bitter," "She's Royal" and a love song called "Far Away." Don Carlos had the mass singing and dancing along with each and every tune.

Long Beach closed out the festival with the Legendary Gregory Isaacs. The glow from all the lit lighters was almost celestial as Isaacs took the stage. The crowd was instantly transported into a musical love zone that had everyone engrossed in the classics like "I Wanna Love You," "Have You Ever," "Meet At The Corner," "Make You Sweat," and "Night Nurse."

Barrington Levy shut down the San Diego crowd. The crowd erupted like a volcano as he took the stage. He performed hits like "Everyday I Love You" and "Too Experienced." Barrington said, "This is my home away from home," which made the crowd go ballistic. He performed a remix that thrilled everyone. As he performed "Here I Come" the audience recited the lyrics. He left San Diego after an encore performance - "Murderer."

The Ragga Muffins Festival was produced by Moss Jacobs Presents and Ragga Muffins Productions. The Tribute to the Reggae Legends was produced by Worldbeat Cultural Center and Moss Jacobs Presents. The Ragga Muffins Festival had a great turn out with a higher attendance on Sunday. The Tribute to the Reggae Legends was a sold out show. Power in numbers says it all as the message within Reggae music infects the world.

By: Joseph Cunningham

The Inseason Juices KLAS School Tour has been moving through the island of Jamaica, and in the last two weeks, the stops have been at Spanish Town High and Manchester High respectively.

It so happened that both institutions provided some of the most memorable experiences on the tour so far. A huge turnout of students supported both legs, which were filled with student participation with poems, songs and drama.

Juggling by the KLAS disc jockey created a extremely hyped atmosphere, which resembled a sports day or a party session. However, the "Stay In School" theme was echoed consistently throughout the afternoon.

The Inseason Juice drinking contest further ignited the students, and so did quizzes about black history. Phone cards and gift baskets were presented to Principals from Digicel.

Entertainment from mainstream artistes closed both tours, with Black-Er headlining on both occasions. Whenever he took to the stage the students got into a frenzy, even more so, when he paraphrased his popular songs to teach lessons about safe sex and general moral uprightness.

Jah Mason made a surprise appearance at Manchester High, much to the delight of that school community.

By: Elizabeth Smith

The force of 'Magnum Follow Di Arrow' will hit James Bond Beach on Saturday, March 1st, bringing a tradition of collaborating for the development of authentic Jamaican culture to its 2008 climax. Boasting the best line-up in its eight year history, the Magnum Tonic Wine endorsed annual show will deliver on its commitment to provide quality, top class entertainment to the masses.

A barrage of veterans and current hit-makers are billed for 2008, with The Alliance Crew as headlining acts. Headed by Grung Gad Bounty Killer, Alliance will undoubtedly bright up the night as the Killer will be supported by: Mr. Gully Side – Mavado, Wayne Marshall, Busy Signal, Bling Dawg and Bad Boy recording artist Elephant Man. The show will also feature Assassin who is riding high with the recent release of his "Gully Sittin" Album, Ninja Man, Mr Vegas, Bugle, Warrior King, Macka Diamond, Anthony B and the ever tempting Lady Saw.

"What we are doing is blending the old with the new. We are making every effort to ensure that this year's staging is the best we have ever had. We have fine tuned the production, reworked the venue and put together some of the best entertainers that Jamaicans love. Being the first major dancehall event for the year we have to set the trend" - Dexton Ennis CEO of Decky Promotions said.

Ennis initiated 'Follow Di Arrow' in Mango Valley back in 1999 and has watched the seed he planted grow to become high quality entertainment that now attracts a large overseas contingent annually. In 2004, Magnum Tonic Wine jumped on board, fulfilling its brand's vision of bringing authentic grassroots entertainment to Jamaicans. Today, 'Magnum Follow Di Arrow' is bigger and better.

Magnum Tonic Wine is serious about energizing entertainment. Gary Dixon, Brand Manager said, "One of the aims at Magnum Tonic Wine is to develop authentic Jamaican culture and 'Magnum Follow the Arrow' is one such effort. We have done the same with the Magnum GT Extravaganza which was [this year] voted the best show for 2007 by IRIE FM listeners. Magnum Tonic Wine symbolizes quality and that's what we bring to our events."

This year's 'Magnum Follow Di Arrow' will also feature a special segment dubbed 'Touch of Magic.' It is dedicated to the veterans of dancehall and will feature Josey Wales, Professor Nuts, General Trees and Terror Fabulous among others. There are over 30 performances scheduled for 'Magnum Follow Di Arrow' 2008 backed by the Ruff Cut and Kaution bands while GT's Aggregation along with Sound Wave and Rock Away Movement will be juggling.

By: Elizabeth Smith

'He was born in Jamaica, grew up in Canada and plays like he's from
Georgia,' is how Grammy winning Blues icon, James 'Blood' Ulmer describes Jamaican born drummer, Aubrey Dayle.

After decades of honing, developing and flaunting his powerful drumming skills on international stages and in major studios, accompanying numerous stellar musicians, Dayle returned to Canada from his New York City base and launched the astounding contemporary jazz ensemble called, My id.

Tomorrow night, February 27, at the Revival Music Lounge in Toronto, My id will appear in a special concert that features: Living Colour guitarist and multi-Grammy winner, Vernon Reid, who joins the electric Toronto based band in what may seem like somewhat of a reunion for himself and Dayle. Reid, who is known for his guitar virtuosity and ground breaking work in rock, jazz, fusion and R&B, has worked with some of music's most talented including: Mick Jagger, Bill Frisell, Carlos Santana, Public Enemy, Garland Jefferies and James Blood Ulmer.

Dayle toured and recorded with Reid on the James 'Blood' Ulmer Grammy nominated CD project, "Memphis Blood: The Sun Sessions" and "No Escape for the Blues: The Electric Lady Sessions." His debut CD as 'front man' where he composed, arranged and produced the tracks for My id also features Reid with his striking guitar rifts.

Entitled, My id, the CD features, Allman Brothersbassist, Oteil Burbridge, singer Hassan Hakmoun and includes social commentary with spoken word pieces on health and human rights.

Following a tradition where contemporary music has been a voice for a community of people who need to express their frustrations, challenges and triumphs in a way that is sophisticated and subtle, yet effective – Dayle fuses the award winning theatrical voices of his sisters to bring multiple issues of importance to the fore. Dayle says he patterns a custom from Africa that facilitated communication through drumming, music, theatre and the arts. My id continues this tradition in a way that will help us examine and re-examine our ever emerging global community.

Dayle has also been drummer on tour and in studio with musicians like: Garland Jeffries, Sonny Rollins, Peter Gabriel, Hassan Hakmoun and John Popper Band.

A portion of the ticket sales from tomorrow's show will be donated to Lupus Canada (www.lupuscanada.org). Dayle has Lupus which is an incurable disease. Normally the body's immune system makes proteins called antibodies to protect the body against viruses, bacteria and other foreign material. With Lupus, the immune system cannot tell the difference between foreign substances and its own cells and tissues and makes antibodies directed against itself. Despite the stress of being a working musician traveling to a new city daily, Dayle has found a way to balance his lifestyle and his illness to continue his passion for making music.

In explaining the band name he says, "The id is: the unconscious source of psychic energy derived from instinctual needs and drives and therefore My id becomes: the conscious musical illustration of my instinctual needs and drives.

for more check My id at www.myspace.com/myidmusic

By: Joseph Cunningham
Photography By: Milton Raynor

It was a night with a difference, a special night, signifying the dawn of a new day in Jamaican music. It was the first staging of the Reggae Academy Awards. It signified a new day because, it represented an award concept in Reggae that got the nod of approval from a wider audience of experts.

"And the award for the Best Solo Male Dancehall Vocalist goes to"; and fans seated towards the back of National Indoor Sports Centre, bellowed, "Busy Signal!" Much to everyone's delight, he was announced the winner. The ceremony was void of ridiculous surprises, and so all received their just rewards.

On entering the venue, YardFlex observed that something special was about to take place. The National Indoor Sports Centre had been given an ambiance, that shouted, "This is something first-world and first class." The stage, lighting, big screens, sound effects the show host and performances, all displayed the handy work of what must have been a highly skilled and trained production team.

The introductions ended and the presentations began. At the end of it all Omar "Tarrus" Riley was the toast of the ceremony, winning in the categories, "Best Breakthrough Artiste 2007," "Best Solo Male Vocalist," "Most Popular Song" - "She Royal" and "Best Reggae Song."

Other winners on the night were:

Best Reggae Album - Stephen Marley

Best Reggae Compilation Album (Executive Producer's Award) - Jamdown Riddim Driven, Delmar Drummond/Dangerzone

Best International Artist – Collie Buddz

Best Dancehall Rhythm - Steven McGregor

Best Dub Recording or Album - Live As One Album, Zion Train

Best Dancehall Vocal Performance (Duo, Group) - Love Is Wicked, Brick and Lace

Best Producer - Stephen Marley

Best Solo Male Dancehall Vocalist - Busy Signal

Best Dancehall Album - Shaggy, Intoxication

Best Dancehall Video Director – Jay Will

Best Reggae Vocal Performance (Duo, Group, Collaboration) – On My Mind, Da'Ville & Sean Paul

Best Gospel Song (Songwriter's Award) - Can't Stop Now, Kemoy Rowe, William Barclay and Courick Clarke

Best Instrumental - Robbie Lyn, Making Notes

Best Reggae Riddim (Producer's Award) - Guardian Angel,Arif Cooper/Fresh Ear

Best Gospel Song, Katalyst Crew

Best Gospel Album-Prodigal Son

Best Dancehall Compilation (two or more artiste Big Ship Music)
(Executive Producer's Award) - Tremor Riddim Driven, Stephen McGregor

Best Break-Through Male Dancehall Artist- Munga Honourable

Best Solo Female Reggae Vocalist – Etana

Best Solo Performance - Lady Saw

Best Gospel Music Video (Video Director's Award) - Gully People Supen, Abdrew Grey

Most Popular Artiste - Beenie Man

Special Awardees

Reggae Icon Award- Bob Marley

Reggae Trailblazer Award - Chris Blackwell

Reggae Living Legend Award- Ernest Ranglin

Record producer Clive Jarrett who was shot and killed at his home in Vineyard Town recently was laid to rest on Sunday at Dovecot.

Clive Jarrett started producing in 1979 and was co-owner of the Dynamite label. He enjoyed great success in the early 80's with LP's by Carlton Livingston (Rumours) Lone Ranger (Hi Yo Silver Away) and Welton Irie (Army Life).

It is reported that Jarrett and Wright were at their home in Deanery Terrace where some construction work had been taking place, when neighbours were alerted by the sound of gunfire and summoned the police.

On arrival of the police, the bullet riddled bodies of the two men described as 'respected elders' of the community were discovered.

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Blacka joke sell off

Blacka Ellis sell off at the Reggae Academy Awards. Bwoy mi a tell yuh him jokes dem done di place. First when him sey big up to the Prime Minister who a glow unda di Cuban light bulb...di people dem crack up. But if yuh tink sey da one dey did meck it, yuh should si when him come out inna him police uniform and deh pon him cell phone and 'lock off' di show and sey "yeah soup, mi lock dung di show cause di promoter nah let off!" Fi one minute mi did tink sey a stampede but a just di people dem a lick di bench dem and a laugh. Whey day mean, police dem too licky licky and everyone can relate?

Which country yuh really love

Mi nuh done wid Blacka yet, him deh pon di stage a talk bout how Jamaica a di best place in the world and him love it suh much and him want to die in Jamaica. Den one woman shout out from inna di crowd, "den if yuh love it suh much, how come yuh gawn live a Canada!" Good question...but den again one man did sing sey, "I man born ya, I nah leave yah, go live America...and him a live deh now!"

Big up Copeland Forbes

Bwoy, Copeland Forbes gi mi goose bump when him talk sey likkle most wi hear sey him dead. Him fly in well tiad from halfway cross di world and go Ocho Rios, den di whole a dem inna di car drop asleep on dem way back to Kingston. Nearly ram inna one trailer...but a di good driving puddung by the trailer driver kip dem from disaster.

Well tenk heavens nutten neva happen and him coulda come tell di tale. Nex time Copeland...meck sure yuh and yuh passengers dem well rested.

Big up to Stitchie

Bwoy him a one proud daddy. Wi link up wid him at the Reggae Academy Awards and him tell wi sey him daughter a 18 years old now and guess what, the child a study fi be a doctor! Go deh Stitchie yuh mus did puddung a whole heap a 'Fast and Pray' inna har upbringing. In another two weeks Stitchie will be heading off for a tour. More in depth info for you later.

Junie Platinum and Kip Rich team up

Junie Platinum was at the awards too and she told YardFlex about her latest single "40 and over" wid Kiprich. Bwoy mi nah tell nuh lie, deh title deh sound like she a try fi send a message...but she look good.
still.

By: Joseph Cunningham
Photography By: Milton Raynor

As far as performances were concerned at Smile Jamaica/Africa Unite, the concert was of a high standard. The promotional hype seems to have worked, because from as early as 10:30pm, a good size crowd had already crammed into the venue.

When YardFlex arrived at about that time, Bunny Wailer was busy recapturing his vintage form. He volunteered with "Come Mek Mi Show Yuh How Fi Ram Dancehall". Jah B, as he is fondly known, gave an energetic set. Singing songs that many were not acquainted with, he still connected with his special ability for showmanship. The "Wailer" dug deep into the repertoire, which himself, Bob Marley and Peter Tosh combined for, and at the end of his one hour set, patrons were fulfilled.

John Legend followed, and pandemonium broke out on James Bond Beach. He performed in customary fashion with his piano, and sang hits such as "Stay With You" and "Ordinary People." He interacted with the women very well, and actually called one young woman on stage, who he literally caressed, much to the amusement of the patrons.

The Marley's then took to the stage after an extended break for a band change, and when Ziggy Marley began the set, it was immediately perceived that this would have been the performance to talk about. It seemed as of all the Marley children ascended the stage after Ziggy's opening, and the power this brought was awesome. During Ziggy's short stint alone, he performed "Tomorrow People" and other renditions which lyrical content brought back to mind, the great songwriter Ziggy is.

Stephen Marley, Junior Gong, Kymani, Cedella, Kenyatta, Rohan, and a host of younger siblings were involved in the Marley's presentation. Every song delivered was received with loud cheers. In Jamaican terminology, the performance was "long but short"; nobody noticed the length of the performance because of its excellence.

Hip Hop sensation, Chris Brown appeared during Elephant Man's set, and his cameo almost stole the show. His "snake-like" movement while dancing, and his shrilling voice could not have failed. Chris accompanied his new love interest, Rihanna to the concert. She had been officially billed for the concert, but she performed as if she did not belong. Her three song set was lethargic, and patrons breathed a shy of relief when she left the stage.

Smile Jamaica/Africa Unite had its first time in Jamaica and it proved to be a worthy addition to the local entertainment calendar. Parking provision was "top notch" and so were all other arrangements.

Last week one of Reggae luminaries struck his final note making it a sad day for his many fans all over the world.

Joe Gibbs died of heart attack at University Hospital of the West Indies from a heart attack at age 65.

He leaves behind a rich legacy that not only impacted Jamaica, but indeed the whole world.

Born in Montego Bay in 1943, Gibbs left Jamaica to train as an engineer in the US. After some time spent in the United States as an electronic engineer, Gibbs went back to Kingston, and opened a repair TV shop at 32 Beeston Street where he soon started to sell records. The fast growth of the local music scene encouraged him to be more involved in the business, and in 1967 he started to record some artists in the back of his shop with a two-track tape machine and the already established Lee Perry who had just ended his association with Clement "Coxsone" Dodd. In 1968, with the help of Bunny Lee, he launched his Amalgamated label, and had his first success with one of the earliest rock steady tunes, Roy Shirley's "Hold Them".

After Perry went away to set his own label "Upsetters", Gibbs enrolled the young Winston "Niney" Holness who helped maintain Gibbs' production on the top of the charts. During the rock steady period until 1970, he met success with numerous hits by vocalists like The Pioneers, Errol Dunkley, and Ken Parker, and worked with backing bands like Lynn Taitt and the Jets (including the organist Ansel Collins, and horns players Tommy McCook, Johnny "Dizzy" Moore, Bobby Ellis and Vin Gordon), or The Hippy Boys (featuring the Barrett brothers as the rhythm section).

He switched to the reggae sound with his first international success "Love of the Common People" by Nicky Thomas (#9 in the UK Singles Chart in the summer of 1970). He kept on recording artists like The Ethiopians, Delroy Wilson, and The Heptones (the two volumes of his singles' compilations The Heptones and Friends were bestsellers in Jamaica). During this period he launched three new labels; Jogib, Shock, and Pressure Beat and also opened his New York Record Mart at 11 South Parade.

In 1972, after having moved his studio in the Duhaney Park district, he set up a new one at 20 North Parade and started to work with the sound engineer Errol Thompson, who used to be at Randy's Studio. Together, known as "The Mighty Two", along with his studio band known as The Professionals (that includes bassist Robbie Shakespeare, drummer Sly Dunbar and guitarist Earl "Chinna" Smith) they produced hundreds of singles including the hits "Money In My Pocket" by Dennis Brown and "Ah So We Stay" by Big Youth and "Eviction" by Black Uhuru. The duo worked on over 100 Jamaican number one hits.

In 1975, he set up his new 16-track studio and record pressing plant at 24 Retirement Crescent and kept on producing Jamaican artists under numerous label names (Crazy Joe, Reflections, Belmont, Town & Country) meeting success again not only in roots reggae, rockers and lovers rock styles with Dennis Brown, Jacob Miller, Sylford Walker, The Mighty Diamonds, Gregory Isaacs, Prince Alla or Junior Byles but also with instrumental and dub cuts (African Dub series).

The 1977 Culture album Two Sevens Clash is probably Gibbs' most internationally acclaimed production, with a major impact on the punk band The Clash. Other successful artists produced by the Mighty Two during the end of the seventies include Marcia Aitken, Althea & Donna, John Holt, Barrington Levy, Cornell Campbell, Dean Fraser, Delroy Wilson, Beres Hammond, Ranking Joe, Prince Jazzbo, Prince Mohammed, Dillinger, Trinity, Prince Far I, Clint Eastwood, I-Roy and Kojak & Liza.

In the 1980s, Gibbs had an international hit with J.C. Lodge's hit of "Someone Loves You Honey". He did not pay any royalties to the song's writer, Charley Pride, who sued and won. Unable to pay the huge settlement ordered by the Court, Gibbs went out of business. In 1993, he went back on the Jamaican scene, reissuing works from his catalogue on the Rocky One label his son Carl had started from Miami, Florida a few years before, and teaming again with Errol Thompson to produce some new music.

Joe Gibbs is gone but his musical works will live on forever.

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By: Kemesha Bolton
Photography By: Milton Raynor

It was another week for the KLAS Inseason Tour and this time they stopped off at the Constant Spring Primary and Junior High School. DJ Kat started the afternoon's proceedings with some hot tracks and while the students gathered, shouts, screams and verbal gun salutes were heard as they scurried for the front to get a good view the stage.

The tour's resident host, Tony Young from KLAS Sports Radio spoke to Acting Principal Beverly Anderson Clarke who welcomed everyone to the school. Mrs. Ann Marie Smelling - Cultural Agent spoke about the school's upcoming Jamaica Day celebration scheduled for February 29th 2008.

As part of its mandate the KLAS Inseaon Tour seeks to discover talent; and the Constant Spring based school had it in droves. Performances came from Jodian Robinson doing "Lord I Believe In You," Dane Chambers' delivered a drum piece that reminded the audience of its power with every slap and the school's choir sang "Gloria." Tasanique Thomas added a comical and dramatic twist to Bob Marley's " Don't Worry" while Chantal Bailey played "Wind Beneath My Wings" on the recorder.

Female performers dominated as performances came from upcoming artistes Alibra, Keri Page and Bridges. Other Performers were Nesbeth doing popular tunes "Board House Bun Down," "I Love Her, She Loves Me," much to the delight of the students who sang both songs line by line. Two students from other institutions also performed. Terro Prince did "Ghetto Life" and Bushu Tail, "Mi Nuh Undastan." Nawh Switch was next doing "Ga Ga" and "Nawh Switch."

Gospel artist Junior Thompson "He's my daddy Oh", I Octane "Vampire" and "Gun rise" that were received with much appreciation from the students,

Chuck Fenda went against the wishes of Alicia Anderson, the tour's producer when he performed "Gash Dem and Light Dem." Anderson has been keenly weighing the influences brought to school goers during the sports/arts live broadcast collaboration. He also gave the crowd, "Coming Over Tonight" and the girls assumed the role of absent Cherine Anderson singing the words with feeling and passion.

Students showed their appreciation in a big way for performances by gospel artist Junior Thompson and I Octane; then the highly anticipated Shane O unfortunately did not deliver. He struggled to perform because of a faulty CD that would not allow him to finish his performance. The biggest and most exciting performance for the afternoon came from Baby Chris, popular for "Ring Dind Ding" and "Ring Ding Ding And Gone." When he entered the stage tables used as barriers were turned over and host Tony Young had to stop the performance. Once things got going again the students danced, sang jumped and screamed, with the girls at the front taking every opportunity to grab Baby Chris. One student got her heart's desire as he brought her on stage to dance with him.

This was a wonderful afternoon, full of vibes and enjoyment and there is no doubt that the students enjoyed KLAS passing through.