Who could have told that VoiseMail would have become one of the hottest dancehall groups and to even surpass the Big and mighty TOK locally. It all started when they hooked up with the late dancehall legend Bogle and Delly Ranx who is known to always producing hit singles whenever he is involved in collaborations.

With Bogle witty slang, Delly Ranx unique sound and VoiseMail melodious harmonies was the perfect ingredient to create the hit single 'Weddy Time', which also helps widen the popularity of Voise Mail.
After the huge success they all enjoys from the first single they decided to went back to the drawing board and cook up another smashing hit single titled "Ready To Party". By its first two weeks of airplay anyone could have predicted that this would be another number one song for the group.

But then suddenly a huge tragedy happen, their stable mate Bogle was shot dead by gunmen at a service station shortly after he left the famous street dance Weddy Weddy that held every Wednesday night at StoneLove head quaters. After the death of Bogle things wasn't as jolly as it used to be, Delly Ranx went his way and VoiseMail did the same. By this time the group became the center of attraction, people from near and far started to rumor that this is where their career ends. But after the huge set back Voise Mail decided this was not where it ends, but where the real journey to stardom starts.

They did a couple of new tunes but still could not find the song that will be the answer to their prayers, until they went up by Don studio who's one of Jamaica's hottest young producers. They did two songs on his new rhythm called Jonkono. One by the name "Just Dance" and the other was a tribute to Bogle titled "Mr. Wacky Is Gone".
Their first hit single had Bogle in it and all they had to do this time around to propel to the number one spot was to pay tribute Bogle.

Presently VoiseMail is one of the most sorts after dancehall group by producers and selectors.

This is where the quest begins, as Bogle would say "Oh So Badly"

Name: Shana
Bust: 36
Hip: 37
Waist: 36
Height: 5ft, 6
Weight: 120
Agency: French Kut International

21 year Shana can be classified as a stylish and sophisticated young lady who is always looking elegant and sexy.

Shana, not like most models that have always dreamt of being a model from a tender age got introduced to modeling last year December 2004, when she was asked to pose for the Jamaican Star center spread girl. It was from there she became interested in modeling and in less than two months she was gracing the catwalk for French Kut International.

Shana is a very down to earth girl who likes to rap and laugh with who so ever that wishes to debate with her in a friendly conversation. In her spare time she likes to stay home and sleep, eat and most of all surfing the Internet. Her hobbies are playing football on the beach, dancing, shopping, badminton and playing golf with her grandfather.

Apart from modeling Shana is presently pursing a diploma in Creative Arts.
While living in Cayman she was the assistant supervisor for her mother small grocery store, but got home sick so she returns back to Jamaica to live with her dad.

Her advice to girls who wants to be a model is: "Always keep your eyes wide open because most of these agencies will try to abuse you in whatever way they can."

She is the mother of a beautiful four-year-old Destiny, a child produced from a union with lead singer Peter Morgan of the band Morgan Heritage. Although she is a devoted mother, she has no problem that many teenage boys regard her as 'sex symbol'.

"I love when men come up to me and say that I look good because I know that not all mothers keep up in shape, and take care of their bodies ... and I try to do that. I find that a lot of teenage boys, especially boys from Wolmer's High School, come up to me and try to put argument to me, but I just have to laugh ... it is quite flattering really," she said, laughing.

Known for her stunning good looks, catchy sing along hooks and her witty wordplay, Pashon is cementing her place as a bonafide star in the music biz.

Her latest hit, 'Grudgeful', on the Applause rhythm, has been blowing up all over the local airwaves, and her video for the song gets regular rotation on local television stations. But all the attention has not gone to the head of the gorgeous daughter of reggae legend, Sugar Minott. No, she remains, well, just plain old Fire Pashon.

"The attention is good, but it doesn't go to my head. I am just working hard on my career right now," Pashon told Yardflex.com. "I had been out of the game for a while, but I am just coming back like a real fire woman to take it to them."

She is set to go on a tour which she will open for her father for two shows in Canada before jetting to Japan for a series of shows in August. With all the attention she has been getting, Pashon has been approached by a lot of producers, but admits to being very selective in voicing tracks.

"I am not doing a lot of songs on rhythms out there because when the big deal comes, these companies don't like when you scatter your work, and 'skettel' out your voice, so I am just choosing my projects carefully," she said.

MENTORS

Musically, she is a big fan of Sizzla and her dad. Spiritually, Pashon has long admired DJ Sister Carol, a woman she regards as her mentor. "I see her as an elder Rasta woman whom I respect and, surprisingly, I rate Lady Saw as well for her energy and her delivery on stage," Pashon said.

Her other songs include Flames on the Big Yard label and No Guns on the Black Roots label. Pashon has been making big strides in recent months, and returned a few weeks ago from a two-week tour of the United States where she performed at the Nevada Music Festival alongside Shaggy, Toots, Morgan Heritage, and the Fifth Element Crew.

FOR BOOKING CONTACT:
1876-882-7460

In the quiet suburban neighborhood of Cooreville Gardens one would hardly expect to find a growing music empire and three of the most talented and promising young musicians. Cashflow Recording Studio is where you find Paul Mitchel (Jnr.) DJ Neil, his younger brother Ernesto DJ X and a close neighbor Damion Roye Mexican, three of the music industry's youngest and freshest.

At 21, 20 and 17 years respectively it's hard to imagine them leading the charge of dancehall music, but if you've been to the Hilton's Jonkanoo Lounge, Cuddy'z recently, or turned on your radio for that matter - then you would know what it's like to be rocking the night away under the influence of this terrific musical trio.

For those who are close to these guys, their musical endeavors and achievements come as no surprise because both Neil and Ernesto are from a strong musical heritage who had learned how to play several different instrument by the help of the father, Paul 'Father P' Mitchell who was also a well known musician back then. But even though they had an inborn love for music, they never forget the encouraging words that their father would constantly riveted in the heads, "continuous training will always make you become a master of what you do best"

What started out as a hobby, experimenting and creating beats, soon became more. With the backing of their father, the trio opened their own in-home digital computerized recording studio; the studio has been churning out hits since its inception over two years ago. Their first commercial product being Spotlight's "gal dem want" on the Reload rhythm, "Cashflow" went on to take the music industry by storm, editing, mixing and mastering songs for individual artists as well as producing as a record label – Cashflow Records – Their first album project was the Killer Bee'z Rhythm, which featured the likes of Danny English, Galaxy P, Fury, L.A. Lewis among others.

With their name growing as fast as their talents, it wasn't long before the established players in the industry sought to have the DJ-Neil / DJ X/Mexican flavour on their projects. Big name producers (including: Gadaffi – Annex Records, Murray – In Di Streets, Roy Francis – Mixing Lab, Mr. Vegas and Charley-Charley, among others.) have used the players mixing and remixing skills to enhance their projects.

With recent success coming from a number of new dancehall rhythms – "Dutty Guitar" rhythm for Media House Production that big acts such as Vybz Kartel, Macka Diamond, KipRich, KC Jockey, Zumjay Mr. Peppa, Gang Bang etc. and most recently they have completed two new projects titled Tear Drops and Guilty that have been creating a havoc in Japan. The trio are presenlty hard at work inside and out of the studio on a new rhythm called Womba that is bound to change vibes of the dancehall circuit.

Taking the talent and passion to the masses via the speakers of popular clubs and party venues, Neil, X & Mexican have launched a sure-shot Disk Jockeying career – currently playing every Wednesday and Friday afternoon on a local cable TV live to a packed audience as appearances at other popular clubs and parties.

Riding high on the success of their debut mix CD album – Unleashed Vol. 1, the number one CD on the streets of summer 2002, it was just a matter of time before their fans get anxious for a early release date of the follow-up volume two and Remix Killaz. Unleashed volume 2 & Remix Killaz, innovative remixes, the freshest rhythms and seamless mixing is what makes this musical cocktail the ultimate thirst quencher for music fans. The newest addition to this young and dynamic trio is their annual remix CD party "Unleashed"

Contact Info:
Email: whoyou_2@hotmail.com
Tele: 1876-391-4411 or 1876-765-8887

Name: Rochelle, no last name required also know as Ashley
Age: 21
Date of Birth: April 21, 1984
Height: 5,6
Weight: 135lb
Measurement: 34-28-42

Hi, my name is Rochelle, but most of my friends called me Ashley. Sometimes I look as innocent as a baby, but really and truly I am only a half of the word inno- cent, and up to now I still cannot figure out which part of the word I am. Anyways enough of the bull-shiiiit, it is time for you to know the real me.

Presently I am pursuing a Bachelors degree double Language and Phsycology at the University of the West Indies. Apart from college I like to party, modeling, giving good trouble, swimming, reading, and exercise whenever I feel like and But most of all I like to hangout with my girl friends at BackYaad, the Quad and Village Cafe.

Who am I?
I am a fun loving person, don't think I am unapproachable, I tend to have that look but don't be scared to ask a question.

My most embarrassing moment: Gee, it doesn't seem as if I have one let I think way back down in the brain memory cap. Mmmmm! Sorry I can't recall any maybe, it's because I do not have a shame tree, Lol.

How did I get into modeling, that's a long story but I will try and tell you the story in as little as 89 words.

I have been modeling from I was little while attending church, (Church Barbe Q). But I started to really fall in love with modeling right after I gradated from Wolmers' Girls.
A couple of my girl friends and I went to Village Cafe and the owner Robert asked me if I would like to be a contestant in the Village Ultimate Calendar Girl Competition, in which I went through to the semi final. So from there my modeling career is now boomingly bright even though things could be better.

Hey! did you check to see if, I really had told you the story in 89 words.

Omar Morrison aka. Raww Deal was born in Jones Town, Kingston and grew up in the humble community of Gordon Town with his grandmother. At the age of nine the DJ found interest in dancehall music which led him to sneaking out at times to listen sound systems playing in his neighborhood.

At Papine High School Raww Deal would take advantage of any opportunity to showcase his talent and while still in school he recorded his first gig "Herbalist" for Gore Productions in 1999.

This was a disappointment for him as the producer did not release his first effort. He constantly did talent shows and performed well, this boosted his self-esteem as he was well received by the audiences.
Having gotten back the desire to record again, Raww Deal in late 2002 recorded "Canon" which was featured on Code Red's 'Smoked Out Vol.3'.

In this same year after performing on a show in Standpipe Kingston 6, he met Akiliboy of BYG Family Musik Kingston 6 Rekords who saw his talent and immediately recorded "Let Me In" on the Blue Chip Riddim. Released in 2003 this single got some amount of air play and was featured on a number of mixed tapes across the globe.

Recently Raww Deal has written and recorded "Swing Over" and "Real Armageddon" on the Easy Rock Riddim for Kingston 6 Rekords. He promises to bring positive vibes to reggae music as he sends out his message in each song.

By: DEPORTEE
Like season to mutton, a sizzling atmosphere,
musically sweet, high in the plateau of Jacks Hills,
Vybz Kartel in a relaxed mood, was penning some lyrics
to an eerie rhythm called siren with a happy Twilight Zone
feel to it. See weh me a seh?
Reclining in a cheap, white plastic chair, the slim
figure of this tough-talking, controversial deejay
leaned forward and coolly said, yes, king.
Introductions made, he continued to listen to the
siren beat, as if in sync with it. Cigarette smoke
wafted through the air and rose, spreading like genie
uncorked from a bottle in a little studio off
Shortridge Avenue, owned by LeftSide and Esco

Stepping outside, Kartel slumped in a chair and
enquired "Right yah all right boss?" and the beat
began.
"Me man Kartel, Adija Palmer. this is me, a good
person, just chilling with Roach, my road manager,
Lenny Matic ( who was busy twisting his hair) and Madd
Dogg" he said in his cocky Portmore drawl to the
question 'Who is Kartel?' I have a little bit of
seriousness and humour" he added.
"I listen to all kind of music. I try to have no
limitations, like saying stuff in a way that it has
never been said before. It all comes down to effective
delivery. Yeah."

On tour
Touring the world is a wonderful experience for this
fantastic musical poet. "Japan is where I get the best
treatment. As a people who don't speak English as
their first language, they embrace me with a love.
They make me feel big and plus dem spend big time.
"Heh, heh, heh!" he clucks like a contented hen.
His sophomore album is in the works, and though
untitled, makes his piercing eyes behind his shades
glow with passion. "Nuff crazy, explosive tracks.
There will be 18 tracks on the CD. It is straight
dancehall and it is all about sex."
Responding to the concerns of the wider society that
he is too lewd, he confidently explains without any
histrionics:
"Deejay talk about what he sees king, zeen? It is a
reflection of society. If Kartel slack, the society
slack. It affects the social sphere. If you're too
blunt and it hurts people, me just tell them to go
take a Pepto Bismol."
"Life is harsh reality. I'm in your face," he adds.

Sex
"I talk about sex the way I talk about it, for
example, with a girl. Nuff people ah complain bout it
and a listen man songs a night-time. CNN uses crime
and violence to sell its news and when I man sing
about a natural ting, ah problem," he says. "Art
imitates life and it never changes. Man build guns to
kill people and me kill people in mi lyrics. Music
does not have any bearing on the civil wars, genocide
and all the upheavals around the world. It is more
religion. So art cannot imitate life and anyone who
think or say else, talking bulls..it."
His usage of similes, innuendoes, mixed metaphors are
impressive and like a professor of English he lectures
: "Using specific words in a specific sentence is the
key. Me nah go use words what everybody use. If you're
a doctor or engineer and when yuh hear a certain word
in a Kartel song, you're gonna stop and say 'bwoy deh
youth deh know what him a do'."
"People have to listen, that's the reason. if you
listen, you can learn a thing or two. Reading
complements one's writing ability."

For example, Kartel's lyrical level is boosted by his
highly- known introduction, which he explained: 'See
me a say' wasn't a slang, I used it as a back up,
basically as a catch phrase. One time, I was at the
studio with Don Corleone and me run out a tings fi
say, so me say wait, me nuh can do that and from that,
it has become a part of my recordings. The girls dem
love it." he grinned matter-of-factly.

uncompromising:
An uncompromising deejay who rose to infamy with his
clash with the Don Gorgon Ninja Man at Sting 2003, he
explained the events which led to the most notorious
of clashes at the greatest one-night show on earth.
"The ting with Ninja Man happen because people wanted
to know who is Vbyz Kartel. Good or bad, it got us
fame, got us shows overseas." "Bloodc..at, a dem tings
deh," he devilishly chuckled. "Seriously though, we
never needed that to reach where we are now."
"Me nuh chat to Ninja Man, ok?", he says when asked if
the relationship was cool between the two deejays. "Me
nuh keep relationship wid man still."

contemptous
Showing contempt for deejays who are below his
pedigree and his recent musical skirmishes with
Spragga Benz and Assassin, he 'timelessly' uttered;
"the ting with lyrical clash is that me not clashing
with no man who doesn't write his own lyrics. We write
our own lyrics, no ghostwriter, no co-writer. How me
fi lock up inna room with six man writing lyrics?" "If
me an six man inna room, a must plan we a plan fi
rob."
"I have recorded almost 800 songs so far. Cassette
Ninja and man like dem have all a dem songs deh. At
Sumfest, I wrote the song titles and pasted them on
the stage floor because there are so many songs to do
and yet still not everybody is pleased as they don't
hear the song they wanted to hear."
Being a deejay with street credibility, Kartel must
act and look the part. The shades he sports
constantly is a part of his persona. "One time, a pure
kerchief and shades but now me lose the kerchief and a
pure shades a dweet now," he says. "A Bounty Killer
lead the way. all inna New York blackout the Killer
have on shades," he laughs.
In his immitable thug-like style, he recalled the
moment when he was arrested on ammunition charges.
"The jail thing was a vacation", he laughs as he
reminisces about being locked up for four days. "From
me go inna jail, ah two Kartel picture and a Ninja Man
picture me see. Me and Roach did deh deh, and it was a
simple ting dat. We know 'bout south and dem tings deh
and the man dem a Southside and Tel Aviv did cool, so
it cool"
Humming a 'chune' again, he asks Roach; "How it play
again?" And sotto voce, deejayed a line or two to his
sidekick who was listening intently.
Do you have a problem with the police since your
run-ins with the law? "If dem stop me, me nuh have no
interest inna Babylon. Me a work, dem a work; dem a
look fi bad man. The only way dem stop me is for a
traffic violation or when me smoking a spliff," he
said with a loud guffaw.

insightful
Offering some insight into the soaring crime and
violence as one who is blamed for deejaying about
guns, he pops off a round . "The government is to be
blamed and when I say that I mean both parties. The
system, although the word 'system' is played out, the
powers that be, need to do a whole lot of things. We
deejay to make a life. jobs are needed or else this
crime thing will never go away."
But Vybz Kartel is more than a deejay standing behind
a microphone. He adds his bit on the local music
industry. "Dancehall moving to higher levels. Variety
is the spice of life. Music is too informal in
Jamaica. we need contracts with specific clauses that
are legally binding. Any breach should be worked out
in a professional and business-like manner. Nuff
people a talk bout dem a your fan, but dem a build
pure bootleg CD. Bootleg CDs are killing the music. we
need to clean that up."

Back to the future
"Punch line bad," he chortles, jumping up from the
chair. Furiously searching his pockets, he seems to
have misplaced the paper on which he had scratched
some lyrics. "Me caan find it. whe me put it?" he asks
Roach- who shrugs his shoulders and dumbly looks on -
in a terrified voice.
Like a child in a candy store, he screams "me have it!
me have it! me find it" and with a sigh of relief and
a rueful grin, he slumps back down.
Kartel is not a prophet or Miss Cleo, but a realist,
who plans his path to where he wants to be - movies,
music, the works.
"I see myself in acting in the years ahead. I starred
in a no budget movie, a no budget, not a low-budget
movie, named Thug Life in 2000," he emphasised. "It
was about life in the scheme, drugs taking over and I
am trying to do away with it. The good over evil
stuff, you know. It is selling hot in the United
States and England."
"I have my own artistes and I am into artiste
development, promoting my label and enjoying every
aspect of the music industry." "I would like to do a
collaboration with 50 cent and also with R. Kelly.
'Raw Kelly' is my singer, we nuh bun weed together, so
me nuh care if him did eat the meat. I would like to
do one with Eminem. He is one crazy, tough, dude."
Stamping his white sneakers loudly against the
concrete, exterminating some ants in the process he
adds that the remix of Mr. Lonely with Akron will be
released soon.
"Music to me is life. I save lyrics to my mind. it's
like a musical spare parts and at a later date when I
hear a wicked riddim, the lyrics just start flow."
Pow! squish! The white sneakers crush a annoying bug
that was flying around. "Not a roach, no feel no way,"
he jokingly addresses Roach who sits Fonz-like,
smiling coolly.
With that, studio time ending, and more pressing
'moves' to make, the man of 'tittylating' fame said
adieu and sped off into the cool bosom of the Saturday
night with his crew in his cream Lexus jeep. See me a
seh?

Mr. PEPPA POISED FOR STARDOM
Dats betta!

"DAT IS BETTA you all should know it's Mr. Peppa" a slang he frequently used to identify his self in the intro of his lyrics. Presently he's one of the most talk about entertainers flowing from

the lips of the public. He's a favorite among teenagers, especially the young ladies, not just because he's cute and sexy, but also because he's got some tough lyrics. When asked how they would describe him, "Him hard, him tuff!" was the resonating response from the young men as they bounced to the lyrics and beat of his latest tunes.

With Peppa's newest recording 'Talk' now getting heavy rotation on air, in the dancehalls and the video creating a havoc on all the local cable stations like Hype TV, RE TV and Music Plus, the talented 25-year-old star is heading places...and fast. He's got the good looks and a charming smile to match. He's shy, with a body to die for and a voice that thrills the inner being. He's got it all. Indeed, there's nothing stopping this young DJ from achieving ultimate stardom.

Mr. Peppa, born Arael Jahzeal Walters on February 29, 1980 in Kingston, Jamaica, is as unique and rare as his birthdate. The ninth of eleven children, he grew up in Papine at a place called Bedward Pastures with his parents, a brother and a sister.

Under the guidance of father Dennis Walters and mother Alice Johnson, Peppa grew into a fine young man. As a child they were strict and did not allow him to go out and play like other boys; he was more of a homely child. Life wasn't the best for them, but his parents ensured that they stayed on track.

His honing at Hope Valley Experimental Primary and Excelsior High School only served to cement his foundation.

With education foremost on his mind, the young man also had a strong love for music, particularly deejaying. However, although he started to deejay at the age of eleven as a fun pastime, he focused on school with the aim of joining the army to study civil aviation or to enter the real estate business.

Peppa was also very active in school, forming part of the drama group and cadet corps, as well as participating in track and field.

It was while in high school that he discovered how good he was at deejaying and started to focus more on it. He was then inspired by his mother, who is a singer, and his biggest brother Steelie from Steelie & Cleevie fame who motivated him to go further with it. Not to mention encouragement from friends who drummed up beats on blackboard and desks in the classroom, as little Peppa rode the riddim.

Peppa started to record professionally in 1995 while still in school. The aspiring DJ used to walk from stage show to stage show, as well as sleep at various studios trying to get a recording.

A year later he did his first single titled 'Mi Sharp' on the Trevor Gordon label, produced by Trevor Gordon himself. Although not earning much airplay, he was still determined to play his part in the music business.

In 2000 the youngster recorded 'Don Cinderella' for Steelie & Cleevie on the Bitter Blood riddim, which earned him some popularity.

It wasn't long after that Mark Pinnock of Natural Bridge Records discovered the talented youngster and decided to sign him to his label. Peppa then recorded on the Bad Weather riddim for Steelie & Cleevie, and later 'Peppa Dis Peppa Dat' on Natural Bridge's Resilience rhythm.

The year 2001 was a bright one for the DJ. He came out with a favourite for the ladies at the time 'Good, Good Gone', which led him to perform on numerous events such as Fully Loaded, G.T. Christmas Extravaganza and Bling Dawg Summer Jam. He also performed at top nightspots like Asylum and Amnesia.

In 2002, the DJ further cemented his presence in the business with recordings such as 'Baby Dem' on the Beach rhythm, 'You So Proud' for producer Preston on his Intime label and 'All You Need To Know', which featured Christopher for BYG Family Musik.

Peppa later did 'Gal Journey' and 'Guy Thing' on the Natural Bridge label.

With his trademark 'Dat's Betta' slang, Mr. Peppa has been working with producers such as Akiliboy of BYG Family, Shams, Red Rat, Dia, Birch, Hawkeye and DJ Karim, Ward 21, to name a few, putting out some wicked singles.

The music video for the 'Talk' single on Ward 21's I-Rob rhythm recently made it to number one on the Hitlist on CVM TV's E-Strip.

In March of this year, Mr. Peppa and long time friend DJ Smurf of Hot 102 teamed to produce and release the 80-track mix CD, 'DJ Smurf Introducing Mr. Peppa'. The mix CD, which features 12 hot tracks from Mr. Peppa on 10 hot rhythms recorded as dubplates for 10-year mix-master veteran DJ Smurf, was a hot item, as they didn't have hands to distribute, giving away over 5,000 copies across the island. The mix CD, which also featured some of Jamaica's top entertainers, has been travelling the globe, kicking up a storm in places like Japan, England, UK and the USA.

The versatile Mr. Peppa creates lyrics for all types of street lyrics, girls tunes, social commentary, you name it, he's got it.

Under the management of Mark Pinnock and Natural Bridge Records, and the support of BYG Family Musik and Kingston 6 Rekords, Mr. Peppa is now a driving force and should be for sometime to come.. Dat's Betta!

For Booking Contact: Sophia McKay
New Image Entertainment
Tel. (876) 302-6590
Email: sophimac@hotmail.com

Name: Larose Sutherland
Age: 24
Date of Birth: September 10, 1980
Height: 5,5
Weight: 120
Buss: 36
Waist: 26
Hip: 36
Agency: French Kut International

Larose is as beautiful like the glare from a diamond that leaves a permanent effect on guys, just like a mirror she reflects in their eyes. She is that special kind of girl that everyman would want to be their wives, but if you dreamt of having a girl like Larose in your life, then continue to read along, it might just happens that together you and Larose may walk down the aisle.

She's not only a beautiful girl with a pleasant smile and a fantastic figure. She's brilliant, smart and knows exactly what she wants to achieve in life

Some may find it hard to believe why a beautiful girl like Larose prefers to live in rural Jamaica and travel over 25 miles to work everyday. But she seems to use this as an advantage to know when a guy really likes her because if he's not willing to travel this far whenever she needs his comfort, then why have the fellow around.

Her desires are to get "rich, rich, rich, I am just joking, I am not saying that I wouldn't want to be rich, but in order for that to happen, I will surely have to structure a good business plan and then pursue it.
And, I am not going to lean towards any man for their money because I am a hard working female who likes to be independent.
At the moment Larose is pursuing a career at Kaju School of Fashion where she's learning to do free hand sewing. Apart from fashion designing and modeling she presently works with a major business firm where she applies her skills in the field of Accounts

How did you got involved in modeling?
I was at work and my class teacher from Kaju School of Fashion called me and asked, if I could model some lingerie for her.
I noticed that the photographer who was present kept stirring at me from head to toe, which I must confess got me a little bit nervous. At the end of the photo session he came over and asked me if I would be interesting to model for his company. Then and there, my career as a model started.

This was when I realized that the love I had for modeling was much greater than the love I have for food.

In her spare time these are the fun things she enjoys. I like to go clubbing, hiking in Blue Mountain, play a game of pool with the fellows, watching horror and comedy movies

Name: Kedisha Ricketts
Age: 21
Date of Birth: August 14, 1983
Waist: 28
Bust: 32
Hip: 42
Height: 5,4
Weight: 130lb

Curvy, strikingly gorgeous, eye catching are the words best describe 21-year-old Kedisha Ricketts. She may not have the height most agencies are looking for but with her irresistible figure she has been tremendously busy round the

clock making debut appearance in a significantly amount of music videos, advertisements, on Almanacs and billboards.

In 2004 she won the PanJam International modeling competition and walked away with the third place prize (weekend for two in Panama).

HOW DID YOU GET INVOLVED IN MODELING:
"I was actually walking on the street and the Manger from Miguel models saw me and asked me if I would like to become apart of his agency. I didn't even bother to overlook his proposal, so I accepted his offer. But after spending six months with them, I decided to make my self more available, so from there I become a freelance model and started doing a whole lot more shows for various other agencies such as Hardcopy Models, La Face International and French Kut International. I am also contracted to do brand promotions for Lascells and Magnum.

Her Hobbies are singing, dancing, listening to dancehall music and most of all she enjoys long telephone conversations. In her spare time she likes to go clubbing and chill out on the beaches preferable on the North Coast, Horseback riding at Chukka Cove, House and Yacht parties.

Apart from modeling Kedisha is a certified accountant and insurance broker and even though she's well equip with a solid education, she would put all that aside, if she were ever to get contracted to any international agencies.

Title: Round and Round
Artiste: Hollow Point
Rhythm: Dancehall Rock
Label: Gang Bang Production
Producer: "Skatta"

Chorus
I'm sitting by my window, puffing on hindo
Watching while the world goes round and round
I spread my wings, yes I'm floating
With the wind
Seeing this crazy world of sin going round and round

Verse 1
Mad city, mad world, mad smug
Mad nuclear toxic sick pollution
Delusion brings us much confusion
Illusion you've got no solution
Mad things, mad kings, mad blings
Mad money cannot atop this Retribution
Execution by electrocution, revolution our resolution

These are the days, these are the days
When the fittest of the fittest will rise
And like the sun will blaze
These are days, these are the days
When the warriors live and give to
Jah thou humble praise

Chorus

Verse 2
Mad terror without error, pills that
Kills and mad weapons of mass destruction
Prison, poison, planes high risen
Twins demolished, I wonder by whose instruction
Books, crooks, publications, feeding
Misleading lies to the nation
Father save this younger generation
From these leaders, rootless desecration
These are the days, these are the days
When the fittest of the fittest will rise
And like the sun will blaze
These are days, these are the days
When the warriors live and give to
Jah thou humble praise

Chorus

Verse 3
Mad guns, mad drugs, mad slugs
Mad thugs, mad skugs I see
Mad wars, sad wars, bad scars
SARS much cruelty
Mad men openly taking lives
I look I see
Religion full of hate and much hypocracy
The Harlot queen is crying, Babylon the great is dying
The Harlot queen is crying, Babylon the great is dying

Title: Willie Bounce
Artiste: Elephant Man
Producer: Q45

Intro
Elephant Man: Out and bad
What you can do for me?
What you can do for me?
What you can do for me?

Chorus
Out and bad
So wey dem a sey
Dance will never die
Out and bad so badly bad
It a get intensify
I see the kids dem in the street
All the big man dem a practice fi dweet
Although Bogle pass and gone
We still a mek dem know him dancing live on
Everybody just…
Do the bounce, Willie Bounce everybody fi a do di Willie Bounce
Do the bounce, Willie Bounce everybody fi a do Bogle bounce
Do the bounce, Willie Bounce everybody fi a do di Willie Bounce
Do the bounce, Willie bounce
Everybody, fi a, fi a, fi a do di Willie Bounce…

Verse 1
All right bring yuh hand dem gwaan like yuh mad
Then yuh double, the double the out and bad
Look left, look right swing yuh hand like yuh bad
Like yuh mad then yuh double, the double the out and bad
Do the dip, do the dip like the dancing god then yuh double the double the out and bad.
Walk with it mek up yuh face like yuh get rob then yuh double the double the Out and bad.
Alright stop mek a pose tek a sip shake yuh foot start do the dip
Wacky dip everybody fi step out and dip, Wacky Dip, everybody fi a do the Wacky Dip
Everybody fi a do Bogle dip, Wacky Dip, Wacky Dip, Wacky Dip, Wacky Dip

Repeat chorus… so wey dem a sey

Verse 2
Willie Bounce lock the street
Yuh no want glass fi see it
Dun the war mek mi dance bad man and police
All the shotta a do the Willie Bounce out a east
Wareka Hill party dem a gwaan hold the peace
Murray a get him groove on roll in the streets sey him a fi come a Weddy Weddy fi see it
Lay down yuh nuh see sey a Sizzla a dweet
Then this no Willie Bounce that a gillipriest
Wee Pow long bend like a Giraffe and a dweet
Uptown, downtown a Willie to the beat
All the prisoners dem a Willie Bounce waan get release
This one is a masterpiece. Chase

Repeat chorus… so wey dem a sey

Repeat verse 1

Appearing out of a pack of fame hungry deejays eagerly anticipating their few minutes of fame came an overweight, un-stereotypical image of a deejay. He knew one chance was all he needed and he waited three years for just that moment.

The bright lights of discotheque revealed what probably was the most captivating thing about his entrance. Two of the most rage filled, fiery eyes told of his hardships, disappointments and endurance. Then he blared what would later stick to the press and the minds of all the patrons present in the Cactus Night Club that night in 1999: "A Rickie Rudie A! K! A! Bling Dawg!"

However forceful, it was his signature self titled song 'Bling Dawg' and entrance that lifted the roof of the club and pretty much spoke for itself in introducing him. "If you nuh like Bling Dawg chuck off pon a peg". He hasn’t looked back since, leaving a trail of "drop jaw" great performances that began at Cactus and continued with 'Bounty Killer's, it's a Party', 'Teen Splash', 'Sting' and 'Fully Loaded' as he became a regular on top rated stage shows.

This was how Marlon Ricardo Williams a.k.a. Bling Dawg, after leaving his home in Portland, Jamaica at age eleven in 1985 to live in Miami, returned in 1994 to kick open a tightly shut, heavily guarded door to the dancehall recording world. Hitting hard, in the dime a dozen "Jamaican dancehall deejay factory", rewriting the script, Bling Dawg targeted three main niche audiences with his singles; the girls, the rude boys and the radio. Girls went wild for 'It's Major, Its Minor' and 'Circumstances' with Beenie Man. In a coy way he used 'Say My Name' and 'Bling Dawg', resonating with his name to make sure the press remembered who he was. Later he escaped in a carefully planned strategy to shed one of the two deejay names he had to establish just on; "Bling Dawg".

He has risen from a solely and local event status, to being a staple on numerous recording production projects in Jamaica, to being highly demanded overseas. Bling Dawg took the world by storm by creating a discography consisting of radio friendly songs that upheld his mandate to the girls, hardknocks and the press. 'Kiss My Baby Good Morning', 'Any Girl Me Want', 'If A Shotta Ting', 'Like We Do' and 'Regrets' are just a few of his hits before he embarked on a Y2K remodeling.

An extensive marketing campaign on the part of his management team proved advert enough for Atlanta based Rock Group Rehab wanting to record a single with Bling Dawg in 2001. The song was entitled 'Do You You'. Later on Bling Dawg appeared on all major stage shows for that year including Red Stripe Sumfest, Sashi and the "Loaded Series".

Bling Dawg once more flipped the script and re-appeared on the scene in 2002 when he staged his first 'Bling Dawg Summer Jam' in July 2002, which was even bigger the following year. This event has served to provide assistance to several charitable projects in his home town of Portland.

He dropped exciting hits on the everyday norms with his new signature sound he calls the "tweeter voice", witty lyrics and equally exciting and creative music videos. 'Ends Off', 'Stress Free', 'Roll Out', 'Tweeter Voice- Nicky Ann', 'Phone Call' featuring Vibes Kartel, have had dancehalls, clubs and stage shows jumping.

The video for 'Tweeter Voice - Nicky Ann' was produced to add to his already completed 'Bling Dawg' and 'Zip It Up' videos. 'Phone Call' featuring Vibes Kartel will also soon join his list of music videos and proving that his ability to do hit collaborations is not an accident. The Lukie D, Bling Dawg 'She Is The Girl For Me' and 'Girls Surround Me' with Born Jamerican/Notch, lists as hit combinations.

2003 witnessed Bling Dawg losing an amazing 30 pounds, to confirm an appearance change that he likes to call his "Summer Body" look. With this new look also came professionalism. Bling got voice training, the result of which makes his songs come out "tweeter". He began reading more to broaden his vocabulary and traded in jersey and sneakers for designer suits and felt hats (depending on the occasion). Armed with "boom" singles, 2003 to present has not witnessed a dull moment with Bling Dawg.

In 2004 Bling Dawg's global fame where Reggae and dancehall music is played can be described as a major achievement. He has worked with great musicians and engineers such as Sly and Robbie, Salaam Remi, Steven 'Lenky' Marshall, Don Corleon and Q45, producers whose names will be among the production credits for the songs expected on the November release of Bling Dawg's long awaited debut. Promised to be a double CD it will include his more recent hits 'Sad Tomorrow' featuring Lavaska and Spragga Benz and 'Nicky Ann' along with a top secret combination with Bounty Killer, to name a few.

Management:Sophia McKay
Contact:(876) 307-6590
Email:sophimac@hotmail.com or smckay78@cwjamaica.com

This young and vibrant artitse who goes by the name Shano maybe one of the youngest Jamaican artiste ever to get the opportunity to perform on Reggae Sumfest that is known to most as an international event. This years Reggae Sumfest will be publicised on a wider international scale by the world leading Black Entertainment Television BET.

"From I was of the age of 12, I dreamt of performing on reggae sumfest" are the words of joy spoken by Shano.
'But after Jah make his thunder roll and his lighten flash' are the magic words that he used for the lyrics in his song title Lighten Flash, which makes his long awaiting dream come through way before he expected.
"Even up to this moment as we speak it feels like I am still dreaming," said Shane' with a huge grin on his face.

This young talented 17 year-old DJ whose real name is Roshain Mcdonald, but is more popular known to others by his stage name Shano is certainly going to be standout among his peers as one for the future.

Since his insertion on the Reggae Sumfest line up, Shano is now hard at work rehearsing and building new materials for his first taste of stardom. He also lamented that fans can be prepare to lean back, relax and enjoy his lyrical treat of smash hitting tunes.

Stage show performance nothing new to this 17 year old because Shano could be sited at any major stage show waiting back stage to get a piece of the microphone. But whenever he does get to perform he gradually becomes a crowd favorite.

At the moment Shano and his Manager/Producer Jah Snow Cone are presently putting together the final touch on his new video title 'Better Must Come' produced by Troy McClean on the First Prize Rhythm that is slated to be release in August.
Apart from his new video he also has another new project called Stop The Damn Killing that was produced by internationally acclaim producer Donovan Germainet.

When YardFlex asked his manager Jah Snow Cone what he thinks about his artiste addition to Reggae Sumfest he quickly answered. "First I have to give thanks to the almighty for letting us live to witness the goodness of the hard work and dedication that we have put into music day and night," he said.
He added, Not because we have gained what we want, mean that we are going to get laid back. This is where the real journey begins."

Artiste: Capleton
Title: That Day Will Come
Album: Reign of Fire
Label: VP Records

Intro:
Equal rights and justice for all Rise and never fall Tell dem sey...
Boom! What dey gonna do, when nuff a dem nuh true Say what they gonna do, dem
get slew, yaaaw

(Sub-Chorus)
Who do you think you are, we're living ina small world
As wicked as you think you are, we're living in a small world
As bad as you think you are, we're living in a small world
As tough as you think you are, we're living in a... Da one ya name, alright

(Chorus)
That day will come, when I shall stand and see all those wicked men in the fire getting burn
That day will come, when they will try to escape and there will be nowhere to run
That day will come, when I shall see, they hand in all the bombs and bayonnettes and bullets and gun
That day will come, when Emperor Selassie I shall rise di whole a di ghetto yute dem from out of the slum

(Verse 1)
And the day I would love to see their face
For the all those evil they do to the human race
And try to take things out of place
Run away to space, true dem inna...
Off you owna judgement, you a go get a taste
When dem find out sey dat dem caan escape
Sadness they send on the people dem trace Smile on my face

(Chorus)
That day will come, when I shall stand and see all those wicked men and the fire getting burn
That day will come, when they will try to escape and there will be nowhere to run
That day will come, when I shall see, they hand in all the bombs and bayonnettes and bullets and gun
That day will come, when Emperor Selassie I shall rise di whole a di ghetto yute the from out of the slum

(Sub-Chorus)
Who do you think you are, we're living ina small world
As wicked as you think you are, we're living in a small world
As slick as you think you are, we're living in a small world
As tough as you think you are, we're living in a... Da one ya name, tell dem!

(Verse 2)
Escape today, you caan escape tomorrow
Mek sure you pay back anytime you borrow
Mek sure you don't leff no life inna sorrow
Mek sure you nuh lead none straight like arrow
Mek sure you brains nuh push out it nuh borrow
Mek sure you nuh mek dem coke out an parro, yeah!
Mek sure you meditation nuh narrow Judgement!
Yo mi waan tell dem sumpn... Di world a one...

(Chorus)
That day will come, when I shall stand and see all those wicked men and the fire getting burn
That day will come, when they will try to escape and there will be nowhere to run
That day will come, when I shall see, they hand in all the bombs and bayonnettes and bullets and gun
That day will come, when Emperor Selassie I shall ride out pon di wings of the heavens inna di sun

(Bridge)
I will remain the same Hailing Rastafari name
And watch dem going up in flames
For all the innocent going down the drain
You have to pay for the shackles and chains
And pay for these washing of the brain
And pay for these guns and cocaine
The sick and the lame, alright

(Repeat Chorus till fade)

MARTINA JAMAICA'S NEW SINGING SENSATION

Subtle, but saucy. That's the best summary that newcomer Martina says snuggly describes her as an individual. The talented singer, who gained some attention in dancehall circles when she teamed up with Mad Anju on Best Baby Father, says if she had done things differently, a career in cosmetology would've been her calling card.

I was more into music while attending high school. I wanted to become a cosmetologist, and I chose to do nails. I did it for a while, but music was really into my genes', Martina revealed. With more than forty recordings under her belt to date, Martina who recently teamed up with the 357 Records imprint is set to soar with a serving of tasty delicacies which are waiting to be unleashed onto the unsuspecting music fan.

Born Debbie Doyles, Martina lived between Kingston and St. Catherine. She attended the Edith Dalton James Comprehensive High school before deciding in 1997 that singing was what she wanted to pursue as a career. She began doing background harmonies for one time top flight dancehall toaster now turned gospel deejay, Papa San. Sometime after, she met up with Mad Anju (known for his chart topping single Wah Dis Fada) who later would introduce her to Nuborn Thugs who were working on a session. From then on, there was no looking back.
Martina teamed up with Mad Anju on the radio hit Best Baby Father. "We were like a team and we did a lot of shows together to promote the song. However we grew apart and I wanted to do my own thing", said Martina. Some of her recordings include Private Dancer on Rohan 'Snow Cone' Fuller's Applause rhythm; On the Beach with Idonia on the Bomb a Drop rhythm (357 Records); Inna Di Centre (Scoobay rhythm for 357 Records); and Gangster Don't Play with Beenie Man (Deseca Productions).

A former Tastee Talent contest entrant, Martina also participated in the Irie FM Big Break competition (where she placed in the Top 5), and the Miss Extremes Talent Contest (which was promoted by Corporate Image Limited).

Martina has recorded songs with a few of the heavyweights in the music industry. Among them are Arif Cooper for Fresh Ear Productions, Rohan 'Snow Cone' Fuller, Kings of Kings, Fras Productions and Beres Hammond's Harmony House label. Her latest recordings include songs for Buju Banton's Gargamel Music, Cash Flow Productions and 357 Records (forthcoming releases on the Tyrant and Disturbance rhythms).
Her major performances include Valton 'VC' Craigie's album launch, the International Reggae Day stage show, JFM Awards 2004, Champions in Action and Stars in Action.

Mary J Blige, India Arie, Alicia Keys, Beenie Man, Chevelle Franklin, Beres Hammond and Diana King are listed among Martina's musical influences.

MANAGEMENT
Mario Campbell (Mario C)
357 Records
Kingston, Jamaica
TEL: 876-849-9701

IT'S YOUR BOY - RAZOR

It's been about eight years since Razor decided that a professional career in the music business what was he really wanted to pursue. But the road hasn't been an easy one for him. He is quick to point out that the journey hasn’t been smooth sailing, but the experiences that he has been through, have paved the way for the attention that he is enjoying of late.

With his razor sharp lyrics and humorous rhymes, Razor has hit the dancehall charts in Jamaica with two of the most humorous joints in recent memory. 'Workings' on producer Mario C's Scoobay rhythm, and 'Mr. Dixon on the Bomb a Drop rhythm.

"My style is quite unusual and basically I write songs that have some relevance to everyday happenings. It's just that I put the lyrics in a different form and make them as humorous as I can", the talented Westmoreland native commented.

Razor was born Collin Wedderburn in a district called Mount Airy. After completing studies at the Black River High School, Razor realized that music was his calling. "I used to play football in school but then I started to deejay at school functions and that helped to build my confidence a bit. If I had a choice it would've been football, but I took up the music thing seriously after leaving school", explained Razor.

Razor made his recording debut in 1997 when he recorded 'Whenever You Want My Number' produced by Kirk Davis from Shocking Vibes. Since then he has recorded more than fifteen songs. Peter Tosh (who incidentally was from Westmoreland), Beenie Man, Capleton and Ninja Man are listed among Razor's musical influences.

The 357 Records label which has been changing the face of dancehall music within the past two years, is the main force behind Razor's career. He hooked up with that entity's Mario Campbell (Mario C) after an introduction by top flight dancehall kingpin Beenie Man.

Razor isn't sitting by waiting for the next hit single to pop up. He has been busy recording songs for producers including Dane 'Fire Links' Johnson, Donovan 'Don Corleon' Bennett, the Shocking Vibes label, Rohan 'Snow Cone' Fuller and Chad 'Mr. G' Simpson's Young Blood imprint.

'Grow Bigger' and Steam Fish and Okra are among Razor's current releases. Upcoming singles on the 357 Records' Disturbance and Tyrant rhythms are sure to raise a few eyebrows and further establish Razor as one to watch out for.

May 2005

MANAGEMENT
Mario Campbell (Mario C)
357 Records
Kingston, Jamaica
Tel: 876-357-4371

Title: Telephone Thing
Artiste: Kiprich
Rhythm: My Baby
Producer: Robert Livingston
Label: Big Yard

Intro By Delicious
Hey yuh know say a fool yuh take me fah
A who name Michelle, who name Renee
A whose picture dis in you phone?
Yuh know say me a go call dem gal yah
And mek dem know who is wife round here
Kippo say something!

Verse 1
Mi put a lock pon me phone
And nuh tell yuh the pin number
Cause weh nuh see, nuh hurt
Yuh tell me yuh a beg me a call
Weh yuh gone search the phone fah
Now a tear off me shirt
After me done tell yuh seh yuh a di woman a di yard
And yuh know say every man flirt so why the hell yuh a stress me
When you fi caress me
Tell me weh the cussin worth

Chorus
Yuh nuh see it say
Telephone ting mash up me life
It make matey a call the wife
Telephone thing mash up life
It mek me girl run gone fi knife
Telephone ting mash up me life
A it a cause fuss and fight
Telephone ting mash up me life
It mek me caan sleep good at night

Verse 2
Look how yuh deh ya wid me good
And never vex until yuh go read di
‘Me waan sex you text’
Deh yah and a laugh, den turn inna monster
Through a girl say hello, den heng up when yuh answer
Me caan belive a so fool yuh a act
A write dung people number and a call people back
When me a talk pon mi phine yuh a listen
And when you answer yours, yuh missing

Chorus
Me see it say
Telephone ting mash up me life
It make matey a call the wife
Telephone thing mash up life
It mek me girl run gone fi knife
Telephone ting mash up me life
A it a cause fuiss and fight
Telephone ting mash up me life
It make me caan sleep good at night

Verse 3
Look how yuh go out yuh way fi break yuh own heart
Yuh know yuh shouldn’t follow friend
Should have yuh own thoughts
We never use to argue, now yuh start
And all these things weh a happen tear us apart
Weh yuh nuh see inaa yuh face, nuh search fi find
Nuh mek yuh friend dem boost yuh up wid dem dirty mind
The carry-go so, bring come
Dem ting deh we nuh join
A dis a weh me see every time

Chorus
Me see it say
Telephone ting mash up me life
It make matey a call the wife
Telephone thing mash up life
It mek me girl run gone fi knife
Telephone ting mash up me life
A it a cause fuiss and fight
Telephone ting mash up me life
It make me caan sleep good at night

Name: Kahyna Ridley
Date of Birth: December 03, 1985
Age 19
Zodiac Sign: Sagittarius
Weight: 130
Height 5'5
Bust: 36
Complexion: Dark brown
Colour eyes: Brown
Agency: French Kut International
Her Desires: Kahyna Ridley can best be describe as a very jovial person who said it has always been her dream of becoming a successful businesswoman in the field of fashion designing.

Ridley was born in Kingston,but spent most of her life in the community of Hermitage. After graduating from
Kingston High School in 2003 Ridley then went on to
landed her self a job as Sales Rep from which she saves her weekly earnings in preparation to pursue a Degree
in the area of Business Management at the University of the West Indies.

This sexy and beautiful young lady is single at the moment but wishes not to focus her mind on being engaged in any relationship at this point in her life, until she's able to secure a solid education that will make her be an independent lady in the near future.

"Ladies I am encouraging you to be strong and never lose focus on what you have set out to achieve. The moment you lose focus is the moment that you will have to be the dependant of Mr. Right Now and all they want is that thing between your legs.

In her spare time she likes to go on the North coast and hangout with her girl friends, go clubbing, especially to all-inclusive parties.

How did you got involved in modeling: I first fell in love with modeling from I was attending school, whenever there was a Barbe Q the teachers would always asked me to model. After I left school I got more serious about the world of modeling, but it all happens one day when I was going through the classifieds and saw where the French Kut International was seeking new faces. I went the next day for audition and got through. I must confess that was one of the happiest days of my life.

The fun things she does: I am a lover of socializing with persons, listening to Souls, Rap Reggae and especially Dancehall music. When the music hits you, you feel no pain

Song Title: Ova The Wall
Artiste: Elephant Man
Rhythm: Dancehall Rock
Label: Kings of Kings

INTRO:
Hee a lie all them deh a best a them
we ova ya so and them ova da So
gun shot from East, West, North and South.

Chorus
Alright, Ova the wall, ova the wall put yuh A.K ova the wall, ova the wall, Ova the wall them diss man from Red Hills and Whitehall. Ova the wall, ova the wall, ova the wall blood ago run like Dunn’s River Fall ova the wall, ova the wall like the stretch limo a so we gun them tall.

Verse 1
Bad man nuh ramp with informer none at all
Bad man put yuh A.K ova the wall
Wrong man name yuh go call
Bad man put yuh A.k ova the wall
No boy could a never diss mi mother none at all
Bad man put yuh A.K ova the wall
Think we simple and think we gun small
Bad man put yuh A.K ova the wall
If them mek we pop out we gun pan them
All five magazine we would a dun pon them
Man a real bad man like Joel Gang them
cant diss Tivoli or pen man Them
through them go diss a little man and him run from them,
Them a fool, dem a idiot a nuh gun man them
If a me we would a drop a bomb pan them kidnap them daughter or son from them give them K bullet if magnum want them to all bad man this a the gun anthem cause we come to set a better gun man trend so we big up all the shotters and we gun man friend.

Chorus
Bad man no ramp with informer none at all
bad man put Yuh A.K ova the wall
wrong man name Yuh go call
bad man put Yuh A.K Ova the wall
no boy could a never diss mi mother none at all
bad man Put Yuh A.K ova the wall
think we simple and think we gun small
bad man put Yuh A.K ova the wall.

Verse 2
From wah day some boy a get bright and faceity
tell them sey no mek we tek mi eye off a safety
bomb down village, town and base you see bomb up sadamite,
b-man and gay city only the something pon the breast mi nape you see tell them hold the peace and mek things safety I would a chop off informer face you see that a long time me use and paste you see no like a informer boy who can trace you see full him up a shot from him head to his waist you see tomorrow morning nuff a them better pray fi see ready fi done the boy them in a haste you see. Scobaay.

Chorus
Bad man no ramp with informer none at all
bad man put Yuh A.K ova the wall
wrong man them go call
bad man put Yuh A.K Ova the wall
no boy could a never diss mi mother none at all
bad man put the A.K ova the wall
think we simple and think we gun small
bad man put yuh A.K ova the wall alright.

The General Earns Five Stars

By: Spectre

The five-star General of Dancehall has returned with his newest album entitled; The General. Of course, Degree has a battalion of new hits for everyone and anyone, both old and young. Known for his versatility manipulating rhythms with his charisma and wit, his newest CD falls short of nothing.

An interesting blend of new era dancehall and refreshing reggae songs is what the General offers on his new CD. Smashing hits enjoying heavy radio rotation such as Empire, Bumpa to Bumpa, Hot Wata, Soldier Girl are a few party tunes the General brought back on this album for his fans.

The General features vibrant and upcoming Dancehall artiste Chico, Reggae superstar Beres Hammond and the exhilarating soul singer Richie Stephens. Other tunes to look out for are D' Music, Naw Flex Right featuring Beres Hammond, Deh Yah, Good Time and Almighty God plus his bonus track Move Up the Bwoy (remix).

The level of maturity from the veteran is impeccable, due to the fact he doesn't curse on his album - Crisp, good, clean Reggae-Dancehall music. Size Eight Records and VP Records are the producers of the album.

Rating - **** stars
Track Listing
1. Empire 2. Bumpa to Bumpa 3. Hot Wata 4. Deh Yah 5. Hold on Pon Him 6. Naw Flex Right 7. My Fat Ting 8. D' Music 9. Cradle Robber
10. Do U Feel Alright? 11. Dutty River 12. Dance With U 13. Good Time 14. It No Matter 15. Non Genuine 16. Almighty God 17. Fire Tonight 18. Something... 19. Soldier Girl
20. Move Up the Bwoy--Remix

Title: Marry Wana
Producers: Mr. Wilks
Label: Tru Music
Rhythm: Ice Cube

Intro
Yow dawg
A beare gyal deh yah
Wha the place full
But differently me see one weh she over deh so
The tall one, a who she
Me never see her before

Verse 1
From me see her me know say
She new on yah
And she had me in a trance
Like a snake charmer
So I asked her what’s her name
She say Tuwana
But most of her friends say Wana
So I say Wana where you from
She say from Ghana
But she spent most of her life in Botswana
She say her father was a real big time farmer
And now she on vacation because of nuff drama
So I told her I was in love at my first sight
And I told her a million things I like
And I don’t really know if my feelings right
But I really want her to be my wife

Chorus
I want Marry Wana
Marry Wana
She is the girl of my dreams

I want Marry Wana
Marry Wana
I love her bad
Marry Wana, Marry Wana
I love her bad

Verse 2
Me did haffi Marry Wana
From me see har is like me see the light
And from the fire ignite
The relationship nuh stop burn bright
Shout to Wana
I hope you hear me
I love you dearly, sincerely

Repeat Chorus

Artiste: I-Wayne
Title: Living in Love
Label: Gibbo Productions

Intro
Ooh woo, woo
If you never know
Now you know

Verse 1
I love to see my people living in love
I hate to see the fighting and swimming in blood
Nuff neglect the farming scorning the mud
Yet they want to be the first to reap the food as it bud
Oh, dem fill di earth with prison, church and whore house
Love the rum bar yet dem hate the pure house
Dem tek di microchip and now wrath a pour out
Less food more drought and more mouth.

Chorus
Rasta tell dem all di while
Stop war and go till di soil
Stop fighting for land and oil
Fi di coil, so many go defile
Slave master spit inna dem face dem tek dat with a smile
Banks of di nile so mild and so fertile
Acres more than a zillion mile
People acting wild, pick up cannibal style
Wan devour mama, papa and child

Verse 2
Sew i seed and mek it buss earth
Dem seh dem ting dem tek too long fi grow and start to cuss earth
I couldn't trust them and those as how i trust earth
Such is life, dem seh a just earth
I see Cassia Heights wah dem call de squatta land
Some seh fi government, some seh fi mattalon
Still nuh wan share although dem got a land
Dem want fi guh a gun range and shatta land

Chorus

Verse 3
Politician a talk certain ting dem nah mention
Seh a gun and drugs di people tax money spend pan
Come with plastic smile and dem wicked intention
Inna u hand a weh dem put dem evil invention
Turn gun model seeking attention
See it deh now you dead and ther is no redemption
Parents a wonder where to get di fuss cent from
To bury di dead dem nu even got pension

Artiste: Sizzla
Title: I Want To Be Free
Rhythm: Maroon Rhythm
Label: Down Sound Records

Intro:
Yeah! Rastafari, (ha) Ethiopia, Africa
Yes! We doing it just right, we getting it perfect
Special request for you and yours ha ha
Now here come the music

Verse 1

With all the problems in the world
And everyday people complaining
No hospitals, no schools for the boys and girls
With their naked eyes, don’t you see that its slavery (whoa!)
Tired to work so hard in the sun, people unemployed
Not sufficient money, Mama work hard!
Till her fingers are numb
Trying to escape poverty, but some how it still coming
Damn! Everyday so much gats are done
Corruption! That’s how the system is running (whoa!)
I’ve got to set myself free (whoa!)

Chorus
Vocals (Got to be free!)
And be what the most high, had always wanted me to be
Set the captives free! (whoa!, whoa!)
Vocals (Got to be free!)

Ahhhhhhhhh!!!

Verse 2

Billions of guns make everyday
Don’t try to intimidate me, I’ll never run away
Jah blessings is coming our way, so pagans don’t you stand in our way
Yow! We fight society, while dem web out, tek dem like society
Too anxious, too much anxiety, dem never see what the almighty want dem see

(Ahhhhhhhh!!!)

Chorus
I’ve got to set myself free (whoa!)
Vocals (Got to be free!)
And be what the most high, had always wanted me to be Yeah!
Babylon. Set the captives free! (whoa!)
Yeah!!!!

Verse 3

Yow! Now listen everyday you got people children going to prison
Wow! Babylon, they steal and they rob
And telling us that they are just doing their job
They’re here to protect and serve, but they just killing the people when I look and