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December 28, 2006

Sting 2006 - Early performers - Queen Paula shines

Sting2006_queen_paula_etana_mr_peppa_warrior_king_reggaemusic_sexygirls.jpg

Ackee and Saltfish, the Japanese deejay duo, offered important culinary tips with the line, 'haffi get the nookie, but me nah taste'. Bugle had the firepower in terms of patrons setting off rockets to herald his arrival, but the crowd soon 'bugled' its disapproval of him and he was forced to exit stage right. Watching Martina perform was like watching a bucket of cement harden on a lazy Sunday afternoon, while Stacious earned a big forward with an obscure reference to Beenie Man's wedding band. The Nah Switch crew from Olympic Way, heroes of the Moneygram TV ads, were amusing at best, while Taru asserted that 'police and soldiers get the most gun' to a smattering of applause.

Bescenta sparkled with his hit, 'The World is in Trouble' and wowed the audience with his crisp clear vocals. A subdued Deva Brat, probably acting on strict orders not to diss I-d-d-d-onia, worked hard to elicit a forward, but other than a wisecrack to a girl that he would "soon sort out her crotches morning', he failed to spark the slumbering crowd. AT 11:40 p.m., Nanko, doing his second stint at Sting 2006, turned up to register a pleasant surprise for the audience, showing that he has grown in stature and confidence as an entertainer. The Downsound Recording artiste rocked the crowd with his monster hit, 'Lucky You' and then followed up with an even bigger ovation for his present top ten hit, 'Loco Amore', the crowd singing along with the first line: '...maybe baby girl I should take you to Bahamas...'

Queen Paula introduced the first bit of raw passa passa into the night's proceedings when she made offcolour remarks regarding the size, depth and width of deejay Spice’s sexual cavities. Her exacts words were "Spice p---y big like We are the World'.

She revealed to the concert that Spice had threatened her with a phone call that she reported began "hey gal, hope yu nah go ah Sting go call up mi name. After that, mi get another phone call say if yu call Spice name, yu ah go dead."

Paula then told the Sting audience, 'nobody caan threaten me', and deejayed 'tell a dutty gal nuh start nuh war, Paula no buss water gun', and asked Laing: 'yu nuh have nutten roun de fi mi kill?'.

After that descent into vulgarity, Etana was a welcome change at midnight ushering in feel-good Cinderella vibes with 'Killing the Yutes Dem Slowly', a nod to Roberta Flack's 'Killing Them Softly'. But this Cinderella had bite on Sting night because her sharp social commentary offered on 'Wrong Address' highlighted the social struggles of the average ghetto person in finding employment in Jamaica's deeply stratified society.

Natasha from Denmark worked hard but failed to make an impact while DJ Face was a ho-hum yawn, to put it kindly. The arrival of Natural Bridges recording artiste Mr. Peppa got an immediate response from the crowd and his 'Gangsta Guerilla' hit earned him a big forward. He introduced G Maffiah, who although he has stage presence and charisma, failed to move the audience with his single, 'Bag a Noise'. Afterwards, Mr. Peppa showed off his polished banter in between songs and introduced his biggest hit to date, 'Hypocrite a Talk' to an enthusiastic crowd.

After Mr. Peppa's exit, Danielle, wearing a tight red outfit that gripped her ample assets like a second skin, amused with her 'pretty pink pepper light' descriptions of her genitalia, very suggestive given her choice of attire that night. She however was hampered by the lame play of the band on the stand which insisted on playing the rhythms without leads or phrases, leaving the artistes essentially without the vibes to deliver their material.

Still, Warrior King was in awesome form belting out hits ‘Never Go Where the Pagans Go’ and 'Virtuous Woman' before making way for Little Hero to reminisce about 'Down in the Ghetto', to yearn for 'King Solomon's World' before finally admitting 'I Don't Know What to Do'.

Then the stage was set for the arrival of the Gargamel, Buju Banton, who hit the stage at about 12:45 a.m., one hour later than the advertised start of his set.

Posted by yardFlex at December 28, 2006 10:02 AM


Comments

Posted by: just so on December 28, 2006 11:34 AM

i would like to pose a question and would like honest feedback.....do u think Jamaica would accept a lyrically hard hitting, female artiste dat chat reality tunes?....theres one catch she's a lesbian....how would she fear?


Posted by: tamara on December 28, 2006 11:47 AM

bigup etana straight..
different from di song wha sizzla sing
;black woman and child;
wrong address a di wickedist tune mi eva hear
da gal da shuda get crazy fwud fi da tune da!!!


Posted by: AUGUST on December 28, 2006 12:02 PM

MY ONLY CONCERN IS TO BANISH BOUNTY HE IS WHAT IS BAD ABOUT DANCEHALL. IF ANOTHER ARTIST IS MAKING MONEY THE FASSIE GO CRAZY,BUT ONE PERSON HE CANT STOP IS BEENIE, THE DOCTOR NEED TO GIVE HIM SOME MEDICATION.


Posted by: kadian on December 28, 2006 01:16 PM

Well that could work "just so", as long as she leaves her sexuality out of the media. And out of her songs. Remember Jamaica's dance hall music will not accept an artist like that. Esp when its well know, that she a lesbian.


Posted by: cc on December 28, 2006 02:03 PM

lesbian....from jamaica wow...if the songs dem good no prob


Posted by: tina on December 28, 2006 03:13 PM

big up warrior king a di real bass yu dun know him song a pure ritrouseness


Posted by: Venomous on December 28, 2006 05:02 PM

Mi nah fi hate pon Beenie nar Bounty......Me haffi wonder why Beenie nah sekkle de war .......me no im se im nah pay fi clash, buh me a wonder.........mi wan fi see oo affi win dis ya bakkle........Bounty nah mad inna im bl**dcloth head......im eager fi sekkle de score...mi a tink im haffi prove ah de road dat him nah fi ge tek fi ah pussy since Beenie tek him ooman and all..............we haffi see wha a gwaan pon dis ya vibe.......Beenie se imma de king ah de dancehall.........de world patiently de ya waiting fi see wah a go happen tween dese two........ Dem start war,no we haffi see who fi b**bocloth dead!!!


Posted by: Dj CAREY on December 28, 2006 10:22 PM

Big up to bounty and di whole alliance. beenie start di fire and caan control it him affi run lift it. who di fcuk is dat bwoy trisan fi go up inna di artist face him fi get bullet bullet.


Posted by: tamara on December 29, 2006 02:18 AM

kadian who is lez?????????


Posted by: Gangster on December 29, 2006 08:22 AM

The world need to step back and see that Beenie needs pyscological help because everything Bounty touches, he tries to get and dont seem to have the head to do things of his own.Bounty is aggressive, we all kno that and Bennie uses that to his own advantage by being sneaking stiring up trouble and pretending like he is innocent. Beenie 'self praise' himself all the time... give himself name "king of Dancehall"... make refernces to himself as "Doctor"....mention him get grammy and all that when other artistes who get similar props are skilled and creative enough to not have to make refrence to those things in their songs everytime like Bennie does.

Bounty was given the title or "Professor" the same way Beenie got "Doctor" and Im sure a lot dont even know or remember that. So to squash the war Beenie needs to get a life of his own and stop watching Bounty and try get everything that he touches. Bennie took his DJ style which started the war from way back.... him get his backing band Ruff Kut, him get him X-girl D'Angel... and now him getting close with Kartel who was Killa bredren.... people fi open dem eye and look past Killa agressiveness and see that Bennie is jus a snake who have a lot of people blinded and not seeing who he really is.


Posted by: Sebbe on December 29, 2006 11:24 AM

Yow, mi agree wid Gangster. Beenie a my artist but him also too immature. Him have talent and when him touch the stage, is magic to me. But mi caan turn a blind eye to him f**kery...Is what next him see Bounty wid that him a go go after? Dem seh u can tek the Hog out a the wallow but u caan tek the wallow out a the Hog...BEENIE PLEASE grow up!! Even your own wife D'Angel you a call up ina the nastiness...u caan just respect the institution of marriage? You should never in any of your stage performances make reference to your wife as GYAL (Mi tek weh Bounty Gyal...)This just shows that u r not serious about her and the marriage, is just another of your "victories" GROW UP mi artist

ONE


Posted by: Vicky on January 1, 2007 03:27 PM

Big Up Etana you and Cherine Anderson a mi two favorite female singer right now. I admire both of you strength. Vocally unu well well tough, sing wid nuff passion and soul. Unu a di only two woman weh mi si inna the dance weh nah bring di slackness. Nuff Blessings fi 2007


Posted by: rudeboy1442 on January 10, 2007 09:03 AM

Beenie at one point in his career was my DJ. Now with all the controversy surrounding him and all the comments he's been making about Bounty, has drawn me away from him and has also instilled a bit of bitterness in my heart for him. I loved the clash between him and Bounty in the 1993 Clash at Sting, he was brave and he did an exellent job of getting the crowd excited and intuned to the clash. Nowadays every time Bounty Killa tries to end this feud once and for all, Beenie keeps backing away and keep making up some of the most ridiculous excuses as to why he didn't clash. I Hope Movado and Bounty dun di bway career.


Posted by: zagga zow on January 15, 2007 04:12 PM

rudeboy1442 a 14years bounty a try that him still cant succeed ok bounty always run from beenie man everywhere an instead of try to done beenie man career what them cant do bounty fi go work pan fi him done one ok


Posted by: Kiera on January 25, 2007 03:41 PM

Who in the world would allow a les in the dancehall. Thats is the most disrespectful, most disgusting thing you can do. Don't bring that bullshit into the game because people like I will burn fire on that dumb ass topic! Judgement


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